000			04170nam a22006015i 4500
001			190186
003			IT-RoAPU
005			20221214232509.0
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007			cr || ||||||||
008			220629t20112011mau fo d z eng d
019			_a(OCoLC)840446672
020			_a9780674058712 _qprint
020			_a9780674061002 _qPDF
024	7		_a10.4159/harvard.9780674061002 _2doi
035			_a(DE-B1597)9780674061002
035			_a(DE-B1597)178232
035			_a(OCoLC)733048566
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPA85.B4 _bH38 2011eb
072		7	_aBIO007000 _2bisacsh
082	0	4	_a880.9 _222
084			_aonline - DeGruyter
100	1		_aHaugen, Kristine Louise _eautore
245	1	0	_aRichard Bentley : _bPoetry and Enlightenment / _cKristine Louise Haugen.
264		1	_aCambridge, MA : _bHarvard University Press, _c[2011]
264		4	_c©2011
300			_a1 online resource (344 p.) : _b3 line illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tIllustrations -- _tIntroduction -- _tChapter One. Before Bentley -- _tChapter Two. London in the 1680s -- _tChapter Three. Bentley in Oxford -- _tChapter Four. Into the Drawing Room -- _tChapter Five. Rewriting Horace -- _tChapter Six. The Measure of All Things -- _tChapter Seven. Bentley’s New Testament -- _tChapter Eight. Interlopers and Interpolators -- _tConclusion -- _tNotes -- _tAcknowledgments -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aWhat made the classical scholar Richard Bentley deserve to be so viciously skewered by two of the literary giants of his day—Jonathan Swift in the Battle of the Books and Alexander Pope in the Dunciad? The answer: he had the temerity to bring classical study out of the scholar's closet and into the drawing rooms of polite society. Kristine Haugen’s highly engaging biography of a man whom Rhodri Lewis characterized as “perhaps the most notable—and notorious—scholar ever to have English as a mother tongue” affords a fascinating portrait of Bentley and the intellectual turmoil he set in motion.Aiming at a convergence between scholarship and literary culture, the brilliant, caustic, and imperious Bentley revealed to polite readers the doings of professional scholars and induced them to pay attention to classical study. At the same time, Europe's most famous classical scholar adapted his own publications to the deficiencies of non-expert readers. Abandoning the church-oriented historical study of his peers, he worked on texts that interested a wider public, with spectacular and—in the case of his interventionist edition of Paradise Lost—sometimes lamentable results. If the union of worlds Bentley craved was not to be achieved in his lifetime, his provocations show that professional humanism left a deep imprint on the literary world of England's Enlightenment.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aCivilization, Classical _xStudy and teaching _xHistory _xEngland.
650		0	_aCivilization, Classical _xStudy and teaching _zEngland _xHistory.
650		0	_aClassicists _xGreat Britain.
650		0	_aClassicists _zGreat Britain.
650		0	_aCriticism, Textual _xHistory _xVerenigd Koninkrijk van Groot-Brittannië en Noord-Ierland.
650		0	_aCriticism, Textual _xHistory.
650		0	_aLearning and scholarship _xHistory _xEngland.
650		0	_aLearning and scholarship _zEngland _xHistory.
650		7	_aBIOGRAPHY & AUTOBIOGRAPHY / Literary. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.4159/harvard.9780674061002
856	4	0	_uhttps://www.degruyter.com/isbn/9780674061002
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780674061002/original
942			_cEB
999			_c190186 _d190186