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| 003 | IT-RoAPU | ||
| 005 | 20221214232509.0 | ||
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| 008 | 190708s2011 mau fo d z eng d | ||
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_a9780674049543 _qprint |
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_a9780674061170 _qPDF |
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_a10.4159/harvard.9780674061170 _2doi |
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| 035 | _a(DE-B1597)9780674061170 | ||
| 035 | _a(DE-B1597)178246 | ||
| 035 | _a(OCoLC)1041188391 | ||
| 035 | _a(OCoLC)804897630 | ||
| 035 | _a(OCoLC)979777335 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aD511 | |
| 072 | 7 |
_aHIS027090 _2bisacsh |
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| 082 | 0 | 4 | _a940.3/11 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aNeiberg, Michael S. _eautore |
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| 245 | 1 | 0 |
_aDance of the Furies : _bEurope and the Outbreak of World War I / _cMichael S. Neiberg. |
| 264 | 1 |
_aCambridge, MA : _bHarvard University Press, _c[2011] |
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| 264 | 4 | _c©2011 | |
| 300 |
_a1 online resource : _b36 halftones |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_t Frontmatter -- _tCONTENTS -- _tINTRODUCTION -- _t1. A CLAP OF THUNDER IN THE SUMMER SKY -- _t2. BACK GROUND TO SARAJEVO, 1905-1914 -- _t3. THE DELIVERY OF THE AUSTRO-HUNGARIAN ULTIMATUM -- _t4. DRIFTING INTO WAR AGAINST HER WILL -- _t5. THE COMING OF A GREAT STORM -- _t6. OUR FAMILIES WILL B E THEIR VICTIMS -- _t7. HARDENING ATTITUDES -- _t8. AN EVIL DANCE OF THE FURIES -- _tCONCLUSION -- _tNOTES -- _tACKNOWLEDGMENTS -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThe common explanation for the outbreak of World War I depicts Europe as a minefield of nationalism, needing only the slightest pressure to set off an explosion of passion that would rip the continent apart. But in a crucial reexamination of the outbreak of violence, Michael Neiberg shows that ordinary Europeans, unlike their political and military leaders, neither wanted nor expected war during the fateful summer of 1914. By training his eye on the ways that people outside the halls of power reacted to the rapid onset and escalation of the fighting, Neiberg dispels the notion that Europeans were rabid nationalists intent on mass slaughter. He reveals instead a complex set of allegiances that cut across national boundaries.Neiberg marshals letters, diaries, and memoirs of ordinary citizens across Europe to show that the onset of war was experienced as a sudden, unexpected event. As they watched a minor diplomatic crisis erupt into a continental bloodbath, they expressed shock, revulsion, and fear. But when bargains between belligerent governments began to crumble under the weight of conflict, public disillusionment soon followed. Yet it was only after the fighting acquired its own horrible momentum that national hatreds emerged under the pressure of mutually escalating threats, wartime atrocities, and intense government propaganda. Dance of the Furies gives voice to a generation who found themselves compelled to participate in a ghastly, protracted orgy of violence they never imagined would come to pass. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) | |
| 650 | 7 |
_aHISTORY / Military / World War I. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.4159/harvard.9780674061170 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9780674061170.jpg |
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_c190199 _d190199 |
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