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| 001 | 190860 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232536.0 | ||
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| 008 | 210526t20192019mau fo d z eng d | ||
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_a9780674243514 _qPDF |
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| 024 | 7 |
_a10.4159/9780674243514 _2doi |
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| 035 | _a(DE-B1597)9780674243514 | ||
| 035 | _a(DE-B1597)534853 | ||
| 035 | _a(OCoLC)1138502103 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aPR2358 _b.T475 2019 |
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| 072 | 7 |
_aLIT004120 _2bisacsh |
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| 082 | 0 | 4 |
_a821/.3 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aTeskey, Gordon _eautore |
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| 245 | 1 | 0 |
_aSpenserian Moments / _cGordon Teskey. |
| 264 | 1 |
_aCambridge, MA : _bHarvard University Press, _c[2019] |
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| 264 | 4 | _c©2019 | |
| 300 | _a1 online resource (384 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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_tFrontmatter -- _tContents -- _tNote on References, Texts, and Quotations -- _tIntroduction -- _tPART ONE: ON SPENSER -- _t1. Other Poets -- _t2. Toward Fairy Land -- _t3. In Ireland -- _t4. A Survey of The Faerie Queene -- _tPART TWO: ON ALLEGORY -- _t5. Allegory in The Faerie Queene -- _t6. For a General Theory of Allegory -- _t7. Death in an Allegory -- _t8. Positioning Spenser’s Letter to Raleigh -- _t9. Allegory and Renaissance Critical Theory -- _t10. A Field Theory of Allegory -- _tPART THREE: ON THINKING -- _t11. From Moment to Moment -- _t12. Thinking Moments in The Faerie Queene -- _t13. Courtesy and Thinking -- _t14. The Thinking of History in Spenserian Romance -- _tPART FOUR: ON CHANGE -- _t15. Colonial Allegories in Paris -- _t16. Courtesy and the Graces -- _t17. Night Thoughts on Mutability -- _t18. Mutability Ascendant -- _tAfterword: The Colossi of Memnon -- _tNotes -- _tAcknowledgments -- _tCredits -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aGordon Teskey restores Edmund Spenser to prominence, revealing his epic The Faerie Queene as a grand, improvisatory project on human nature. Teskey compares Spenser to Milton, an avowed follower. While Milton’s rigid ideology is now stale, Spenser’s allegories remain vital, inviting new questions and visions, heralding a constantly changing future. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) | |
| 650 | 0 | _aAllegory. | |
| 650 | 0 |
_aEpic poetry, English _xHistory and criticism. |
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| 650 | 7 |
_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.4159/9780674243514 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780674243514 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9780674243514.jpg |
| 942 | _cEB | ||
| 999 |
_c190860 _d190860 |
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