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_a9780674245853 _qPDF |
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_a10.4159/9780674245853 _2doi |
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| 035 | _a(DE-B1597)9780674245853 | ||
| 035 | _a(DE-B1597)549773 | ||
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_a306.4/842490979494 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aViator, Felicia Angeja _eautore |
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| 245 | 1 | 0 |
_aTo Live and Defy in LA : _bHow Gangsta Rap Changed America / / _cFelicia Angeja Viator. |
| 264 | 1 |
_aCambridge, MA : : _bHarvard University Press, _c[2020] |
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| 264 | 4 | _c©2020 | |
| 300 | _a1 online resource (304 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tPREFACE -- _tINTRODUCTION. They Don't Even Know -- _tCHAPTER 1 . The Batterram -- _tCHAPTER 2 . Hardcore LA -- _tCHAPTER 3 . The Boys in the Hood Are Always Hard -- _tCHAPTER 4 . Somebody's Gonna Pay Attention -- _tCHAPTER 5 . Without a Gun and a Badge -- _tCONCLUSION . LA County Blues -- _tNOTES -- _tACKNOWLEDGMENTS -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aHow gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap-so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as "over the top"-was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled "ghetto reporters" had fought their way onto the nation's radio and TV stations and thus into America's consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 18. Sep 2023) | |
| 650 | 0 |
_aGangsta rap (Music) _xSocial aspects _zUnited States. |
|
| 650 | 0 |
_aGangsta rap (Music) _zCalifornia _zLos Angeles _xHistory and criticism. |
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| 650 | 0 |
_aInner cities _zCalifornia _zLos Angeles. |
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| 650 | 0 |
_aUrban youth _zCalifornia _zLos Angeles. |
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| 650 | 4 |
_aSOCIAL SCIENCE / Popular Culture _2sh. |
|
| 653 | _a1992 Riots. | ||
| 653 | _aBatterram. | ||
| 653 | _aGangsta Rap. | ||
| 653 | _aGangster rap. | ||
| 653 | _aL.A. Riots. | ||
| 653 | _aL.A.P.D. | ||
| 653 | _aLong Beach Riot. | ||
| 653 | _aLos Angeles Hip-Hop. | ||
| 653 | _aMost Dangerous Group. | ||
| 653 | _aN.W.A. | ||
| 653 | _aPriority Records. | ||
| 653 | _aReality Rap. | ||
| 653 | _aRodney King. | ||
| 653 | _aRuthless Records. | ||
| 653 | _aStraight Outta Compton. | ||
| 653 | _aWest Coast Rap. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.4159/9780674245853 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780674245853 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780674245853/original |
| 942 | _cEB | ||
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_c190888 _d190888 |
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