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020 _a9780674237407
_qprint
020 _a9780674259485
_qPDF
024 7 _a10.4159/9780674259485
_2doi
035 _a(DE-B1597)9780674259485
035 _a(DE-B1597)585353
035 _a(OCoLC)1243306621
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aBUS070090
_2bisacsh
082 0 4 _a338.4/774692094436
_223
084 _aonline - DeGruyter
100 1 _aPouillard, Véronique
_eautore
245 1 0 _aParis to New York :
_bThe Transatlantic Fashion Industry in the Twentieth Century /
_cVéronique Pouillard.
264 1 _aCambridge, MA :
_bHarvard University Press,
_c[2021]
264 4 _c©2021
300 _a1 online resource (304 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aHarvard Studies in Business History
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_t1 The Early Internationalization of Haute Couture --
_t2 Branding Haute Couture --
_t3 Dressing for Crisis --
_tChapter 4 Fashion in World War II --
_t5 Global Haute Couture --
_t6 One World of Fashion --
_t7 End of the Century --
_tConclusion --
_tNotes --
_tAcknowledgments --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aAn innovative history of the fashion industry, focusing on the connections between Paris and New York, art and finance, and design and manufacturing. Fashion is one of the most dynamic industries in the world, with an annual retail value of $3 trillion and globally recognized icons like Coco Chanel, Christian Dior, and Yves Saint Laurent. How did this industry generate such economic and symbolic capital? Focusing on the roles of entrepreneurs, designers, and institutions in fashion’s two most important twentieth-century centers, Paris to New York tells the history of the industry as a negotiation between art and commerce. In the late nineteenth century, Paris-based firms set the tone for a global fashion culture nurtured by artistic visionaries. In the burgeoning New York industry, however, the focus was on mass production. American buyers, trend scouts, and designers crossed the Atlantic to attend couture openings, where they were inspired by, and often accused of counterfeiting, designs made in Paris. For their part, Paris couturiers traveled to New York to understand what American consumers wanted and to make deals with local manufacturers for whom they designed exclusive garments and accessories. The cooperation and competition between the two continents transformed the fashion industry in the early and mid-twentieth century, producing a hybrid of art and commodity. Véronique Pouillard shows how the Paris–New York connection gave way in the 1960s to a network of widely distributed design and manufacturing centers. Since then, fashion has diversified. Tastes are no longer set by elites alone, but come from the street and from countercultures, and the business of fashion has transformed into a global enterprise.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650 0 _aClothing trade
_zFrance
_zParis
_xHistory
_y20th century.
650 0 _aClothing trade
_zNew York (State)
_zNew York
_xHistory
_y20th century.
650 0 _aFashion design
_zFrance
_zParis
_xHistory
_y20th century.
650 0 _aFashion design
_zNew York (State)
_zNew York
_xHistory
_y20th century.
650 0 _aGlobalization.
650 7 _aBUSINESS & ECONOMICS / Industries / Textile Industry.
_2bisacsh
653 _aBrand.
653 _aCostume.
653 _aDress.
653 _aEntrepreneurs.
653 _aFashion business.
653 _aFashion capital.
653 _aFashion consumers.
653 _aFashion history.
653 _aFashion.
653 _aFast fashion.
653 _aGarment industry.
653 _aHaute couture.
653 _aLuxury groups.
653 _aNew York.
653 _aParis.
653 _aReady-to-wear.
653 _aWomen entrepreneurs.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.4159/9780674259485?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780674259485
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780674259485/original
942 _cEB
999 _c190961
_d190961