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| 001 | 191033 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232543.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 221201t20212021mau fo d z eng d | ||
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_a9780674261112 _qprint |
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_a9780674270183 _qPDF |
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| 024 | 7 |
_a10.4159/9780674270183 _2doi |
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| 035 | _a(DE-B1597)9780674270183 | ||
| 035 | _a(DE-B1597)590537 | ||
| 035 | _a(OCoLC)1302162209 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aBD161 _b.H86 1995 |
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| 072 | 7 |
_aLIT004110 _2bisacsh |
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| 082 | 0 | 4 |
_a155.2/34/01 _220 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aKremer, Aleksandra _eautore |
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| 245 | 1 | 4 |
_aThe Sound of Modern Polish Poetry : _bPerformance and Recording after World War II / _cAleksandra Kremer. |
| 264 | 1 |
_aCambridge, MA : _bHarvard University Press, _c[2021] |
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| 264 | 4 | _c©2021 | |
| 300 | _a1 online resource (352 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIntroduction -- _t1. Postwar Currents: Julian Tuwim and the Evolution of Polish Poetic Culture -- _t2. Intonation in Exile: Czesław Miłosz’s English Translations -- _t3. Home Literary Salons: Visiting Miron Białoszewski and Wisława Szymborska -- _t4. Taped Farewells: Elegiac Recordings by Aleksander Wat, Zbigniew Herbert, Anna Kamieńska, and Anna Swir -- _t5. Unbeautiful Readings: Tadeusz Różewicz against Julian Przyboś -- _tEpilogue -- _tNotes -- _tAcknowledgments -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aAn illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. What’s in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape recording became something different from what it had been in the West, shaped by its distinctive origins behind the Iron Curtain. The Sound of Modern Polish Poetry reconstructs the historical conditions, audio technologies, and personal motivations that informed poetic performances by such luminaries as Czesław Miłosz, Wisława Szymborska, Aleksander Wat, Zbigniew Herbert, Miron Białoszewski, Anna Swir, and Tadeusz Różewicz. Through performances both public and private, prepared and improvised, professional and amateur, these poets tested the possibilities of the physical voice and introduced new poetic practices, reading styles, and genres to the Polish literary scene. Recording became, for these artists, a means of announcing their ambiguous place between worlds. Kremer’s is a work of criticism as well as recovery, deploying speech-analysis software to shed light on forgotten audio experiments—from poetic “sound postcards,” to unusual home performances, to the final testaments of writer-performers. Collectively, their voices reveal new aesthetics of poetry reading and novel concepts of the poetic self. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | _aKnowledge, Theory of. | |
| 650 | 0 | _aNature and nurture. | |
| 650 | 0 | _aSocial values. | |
| 650 | 0 | _aValues. | |
| 650 | 7 |
_aLITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union). _2bisacsh |
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| 653 | _aAnna Kamieńska. | ||
| 653 | _aAnna Świrszczyńska. | ||
| 653 | _aHalina Poświatowska. | ||
| 653 | _aJulia Hartwig. | ||
| 653 | _aJulian Tuwim. | ||
| 653 | _aKrystyna Miłobędzka. | ||
| 653 | _aPoland. | ||
| 653 | _aPraat. | ||
| 653 | _aaudio archive. | ||
| 653 | _afree verse. | ||
| 653 | _aintonation. | ||
| 653 | _apoetry reading. | ||
| 653 | _arecitation. | ||
| 653 | _arecorded poetry. | ||
| 653 | _asound studies. | ||
| 653 | _asung poetry. | ||
| 653 | _atape recorder. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.4159/9780674270183?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780674270183 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780674270183/original |
| 942 | _cEB | ||
| 999 |
_c191033 _d191033 |
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