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001			191043
003			IT-RoAPU
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007			cr || ||||||||
008			240826t20002000mau fo d z eng d
020			_a9780674271357 _qPDF
024	7		_a10.4159/9780674271357 _2doi
035			_a(DE-B1597)9780674271357
035			_a(DE-B1597)613884
035			_a(OCoLC)1294424163
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aML3534
072		7	_aMUS029000 _2bisacsh
082	0	4	_a781.66/092/2
084			_aonline - DeGruyter
100	1		_aChristgau, Robert _eautore
245	1	0	_aGrown Up All Wrong : _b75 Great Rock and Pop Artists from Vaudeville to Techno / _cRobert Christgau.
264		1	_aCambridge, MA : _bHarvard University Press, _c[2000]
264		4	_c2000
300			_a1 online resource (512 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tACKNOWLEDGMENTS -- _tCONTENTS -- _tIntroduction: My Favorite Waste of Time -- _t1 Where ‘‘Rock and Roll’’ Began -- _t2 Where ‘‘Rock’’ Began -- _t3 Snatched from the Maw of Commerce -- _t4 Smashing the State-of-the-Art -- _t5 Kings of Rhythm -- _t6 Between Punk and a Pop Place -- _t7 They Are the World -- _t8 Careers in Iconicity -- _t9 Careers in Semipopularity -- _t10 Modern Maturity -- _tCREDITS -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aTwo generations of American music lovers have grown up listening with Robert Christgau, attuned to his inimitable blend of judgment, acuity, passion, erudition, wit, and caveat emptor. His writings, collected here, constitute a virtual encyclopedia of popular music over the past fifty years. Whether honoring the originators of rock and roll, celebrating established artists, or spreading the word about newer ones, the book is pure enjoyment, a pleasure that takes its cues from the sounds it chronicles. A critical compendium of points of interest in American popular music and its far-flung diaspora, this book ranges from the 1950s singer-songwriter tradition through hip-hop, alternative, and beyond. With unfailing style and grace, Christgau negotiates the straits of great music and thorny politics, as in the cases of Public Enemy, blackface artist Emmett Miller, KRS-One, the Beastie Boys, and Lynyrd Skynyrd. He illuminates legends from pop music and the beginnings of rock and roll—George Gershwin, Nat King Cole, B. B. King, Chuck Berry, and Elvis Presley—and looks at the subtle transition to just plain “rock” in the music of Janis Joplin, the Rolling Stones, Eric Clapton, Aretha Franklin, James Brown, and others. He praises the endless vitality of Al Green, George Clinton, and Neil Young. And from the Rolling Stones to Sonic Youth to Nirvana, from Bette Midler to Michael Jackson to DJ Shadow, he shows how money calls the tune in careers that aren’t necessarily compromised by their intercourse with commerce. Rock and punk and hip-hop, pop and world beat: this is the music of the second half of the twentieth century, skillfully framed in the work of a writer whose reach, insight, and perfect pitch make him one of the major cultural critics of our time.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)
650		0	_aRock groups.
650		0	_aRock music _xHistory and criticism.
650		0	_aRock musicians.
650		7	_aMUSIC / Genres & Styles / Pop Vocal. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.4159/9780674271357?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780674271357
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780674271357/original
942			_cEB
999			_c191043 _d191043