| 000 | 03027nam a22004815i 4500 | ||
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| 001 | 191118 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211162938.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 230529t20182018mau fo d z eng d | ||
| 020 |
_a9780674275287 _qPDF |
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| 024 | 7 |
_a10.4159/9780674275287 _2doi |
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| 035 | _a(DE-B1597)9780674275287 | ||
| 035 | _a(DE-B1597)617471 | ||
| 035 | _a(OCoLC)1312727356 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aSOC052000 _2bisacsh |
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| 082 | 0 | 4 | _a001.30285 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aMcPherson, Tara _eautore |
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| 245 | 1 | 0 |
_aFeminist in a Software Lab : _bDifference + Design / _cTara McPherson. |
| 264 | 1 |
_aCambridge, MA : _bHarvard University Press, _c[2018] |
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| 264 | 4 | _c©2018 | |
| 300 | _a1 online resource (280 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aMetaLABprojects | |
| 505 | 0 | 0 |
_tFrontmatter -- _tTable of Contents -- _tA Visual Introduction -- _tPreface: Opening Vectors -- _tHow to Read This Book -- _t1. Designing for Difference -- _t2. Assembling Scholarship: From Vectors to Scalar -- _tOutro: Scholarship in the Wild -- _tAppendix: Guidelines for Evaluating Digital Scholarship -- _tEndnotes -- _tBibliography -- _tAcknowledgments -- _tCredits |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aFor over a dozen years, the Vectors Lab has experimented with digital scholarship through its online publication, Vectors, and through Scalar, a multimedia authoring platform. The history of this software lab intersects a much longer tale about computation in the humanities, as well as tensions about the role of theory in related projects. Tara McPherson considers debates around the role of cultural theory within the digital humanities and addresses Gary Hall’s claim that the goals of critical theory and of quantitative or computational analysis may be irreconcilable (or at the very least require “far more time and care”). She then asks what it might mean to design—from conception—digital tools and applications that emerge from contextual concerns of cultural theory and, in particular, from a feminist concern for difference. This path leads back to the Vectors Lab and its ongoing efforts at the intersection of theory and praxis. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) | |
| 650 | 7 |
_aSOCIAL SCIENCE / Media Studies. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.4159/9780674275287?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780674275287 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780674275287/original |
| 942 | _cEB | ||
| 999 |
_c191118 _d191118 |
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