| 000 | 03011nam a22004935i 4500 | ||
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| 001 | 191347 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232555.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 221201t20152015mau fo d z eng d | ||
| 019 | _a(OCoLC)984687035 | ||
| 020 |
_a9780674286740 _qPDF |
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| 024 | 7 |
_a10.4159/9780674286740 _2doi |
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| 035 | _a(DE-B1597)9780674286740 | ||
| 035 | _a(DE-B1597)460830 | ||
| 035 | _a(OCoLC)911266564 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT014000 _2bisacsh |
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| 082 | 0 | 4 |
_a821/.4 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aTeskey, Gordon _eautore |
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| 245 | 1 | 4 |
_aThe Poetry of John Milton / _cGordon Teskey. |
| 250 | _aPilot project. eBook available to selected US libraries only | ||
| 264 | 1 |
_aCambridge, MA : _bHarvard University Press, _c[2015] |
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| 264 | 4 | _c©2015 | |
| 300 | _a1 online resource (608 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tIntroduction -- _tPart I: Transcendence -- _t1. On the Early Poems -- _t2. On “L’Allegro” and “Il Penseroso” -- _t3. On the Work Not Called Comus -- _t4. On Engagement in A Masque -- _t5. On “Lycidas” as Primitive Art -- _tPart II: Engagement -- _t6. On the Interstitial Latin Poems and an English Fragment -- _t7. On the Sonnets and Shorter Poems of the Political Period -- _t8. On the Romantics and the Principles of Milton -- _tPart III: Transcendental Engagement -- _t9. On History in Paradise Lost -- _t10. On the Origin in Paradise Lost -- _t11. On the Verse of Paradise Lost -- _t12. On the Sublime in Paradise Lost -- _t13. On Temptation in Paradise Lost -- _t14. On the End in Paradise Lost -- _t15. On Late Style in Paradise Regained and Samson Agonistes -- _tAppendix I: References and Texts -- _tAppendix II: Chronology of the Poems -- _tNotes -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aFor sublimity and philosophical grandeur Milton stands almost alone in world literature. His peers are Homer, Virgil, Dante, Wordsworth, and Goethe. Gordon Teskey shows how Milton’s aesthetic joins beauty to truth and value to ethics and how he rediscovers the art of poetry as a way of thinking in the world as it is, and for the world as it can be. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 7 |
_aLITERARY CRITICISM / Poetry. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.4159/9780674286740 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780674286740 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780674286740/original |
| 942 | _cEB | ||
| 999 |
_c191347 _d191347 |
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