000 03622nam a22007095i 4500
001 191573
003 IT-RoAPU
005 20221214232604.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 211129t20131952mau fo d z eng d
019 _a(OCoLC)1013938445
019 _a(OCoLC)1029835314
019 _a(OCoLC)1032695924
019 _a(OCoLC)1037981516
019 _a(OCoLC)1041981879
019 _a(OCoLC)1046610716
019 _a(OCoLC)1047000462
019 _a(OCoLC)1049660565
019 _a(OCoLC)1054880869
020 _a9780674332515
_qprint
020 _a9780674332522
_qPDF
024 7 _a10.4159/harvard.9780674332522
_2doi
035 _a(DE-B1597)9780674332522
035 _a(DE-B1597)248254
035 _a(OCoLC)900849089
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aND547
072 7 _aART000000
_2bisacsh
082 0 4 _a759.4
084 _aonline - DeGruyter
100 1 _aFriedlaender, Walter
_eautore
245 1 0 _aDavid to Delacroix /
_cWalter Friedlaender.
250 _aReprint 2014
264 1 _aCambridge, MA :
_bHarvard University Press,
_c[2013]
264 4 _c©1952
300 _a1 online resource (136 p.) :
_b83 halftones
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tPREFACE --
_tCONTENTS --
_tILLUSTRATIONS --
_tINTRODUCTION: THE ETHICAL AND FORMAL BASES OF CLASSICISM IN FRENCH PAINTING --
_tCHAPTER ONE: CLASSICISM AND MINOR TRENDS IN THE ART OF DAVID --
_tCHAPTER TWO ULTRACLASSICISTS AND ANTICLASSICISTS IN THE DAVID FOLLOWING --
_tCHAPTER THREE PROTOBAROQUE TENDENCIES IN THE PERIOD OF CLASSICISM --
_tCHAPTER FOUR THE TRANSFORMATION OF CLASSICISM IN THE ART OF INGRES --
_tCHAPTER FIVE EARLY BAROQUE AND REALISM IN THE ART OF GERICAULT --
_tCHAPTER SIX ROMANTIC HIGH BAROQUE IN THE ART OF DELACROIX --
_tILLUSTRATIONS
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis renowned study follows the evolution of French painting from the Revolution through the Napoleonic era. Beginning with David's revolutionary classicism, Friedlaender scrutinizes the work of early-nineteenth-century artists against the background of their times. He reveals the baroque tendencies diffused into the art of Prudhon and the same predisposition, mixed with a strong realism, in the work of Géricault. Two distinct trends appear, deriving from Pussin and Rubens. The author follows the styles as they mature, and represents their consumation in two great masters—the refined and abstract classicism of Ingres and the baroque of Delacroix with its flamboyant colorism and exotic subjects.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
650 0 _aMalerei.
650 0 _aPainting, French.
650 0 _aPeinture française.
650 0 _aPeinture française.
650 4 _aART / General.
650 4 _aART / History / General.
650 4 _aPainting, French -- 17th century.
650 4 _aPainting, French -- 19th century.
650 7 _aART / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.4159/harvard.9780674332522
856 4 0 _uhttps://www.degruyter.com/isbn/9780674332522
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780674332522/original
942 _cEB
999 _c191573
_d191573