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_a10.4159/harvard.9780674334144 _2doi |
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| 035 | _a(DE-B1597)9780674334144 | ||
| 035 | _a(DE-B1597)248422 | ||
| 035 | _a(OCoLC)900816876 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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_aLIT000000 _2bisacsh |
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| 082 | 0 | 4 | _a809/.93384 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aFletcher, Angus _eautore |
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| 245 | 1 | 0 |
_aColors of the Mind : _bConjectures on Thinking in Literature / _cAngus Fletcher. |
| 250 | _aReprint 2013 | ||
| 264 | 1 |
_aCambridge, MA : _bHarvard University Press, _c[2013] |
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| 264 | 4 | _c©1991 | |
| 300 |
_a1 online resource (310 p.) : _b1h |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tPreface -- _tContents -- _tIntroduction -- _tPart I. Representing Thought -- _t1. Iconographies of Thought -- _t2. Two Frames in the Iconography of Thinking: The Satanic and the Quixotic -- _t3. The Distractions of Wit in the English Renaissance -- _t4. Standing, Waiting, and Traveling Light: Milton and the Drama of Information -- _tPart II. Representative Thinking -- _t5. Allegorical Secrecy, Gnomic Obscurity -- _t6. The Language-Game of Prophecy in Renaissance Poetics -- _t7. The Father of Lies -- _t8. Dipintura: The Visual Icon of Historicism in Vico -- _t9. Threshold, Sequence, and Personification in Coleridge -- _t10. Silence and the Voice of Thought -- _t11. Music and the Code of the Ineffable: Visconti's Death in Venice -- _t12. The Image of Lost Direction -- _t13. Style and the Extreme Situation -- _t14. Stevens and the Influential Gnome -- _tNotes -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aAngus Fletcher is one of our finest theorists of the arts, the heir to I. A. Richards, Erich Auerbach, Northrop Frye. This, his grandest book since the groundbreaking Allegory of 1964, aims to open another field of study: how thought--the act, the experience of thinking--is represented in literature. Recognizing that the field of formal philosophy is only one demonstration of the uses of thought, Fletcher looks for the ways other languages (and their framing forms) serve the purpose of certain thinking activities. What kinds of thinking accompany the writing of history? How does the gnomic sentence manage to represent some point of belief? The fresh insights Fletcher achieves at every turn suggest an anatomy of poetic and fictional strategies for representing thought--the hazards, the complications, the sufferings, the romance of thought. Fletcher's resources are large, and his step is sure. The reader samples his piercing vision of Milton's Satan, the original Thinker, leaving the pain of thinking as his legacy for mankind; Marvell's mysteriously haunting "green thought in a green shade"; Old Testament and Herodotus, Vico and Coleridge; Crane, Calvino, Stevens. Fletcher ranges over the heights of literature, poetry, music, and film, never losing sight of his central line of inquiry. He includes comments on the essential role of unclear, vague, and even irrational thinking to suggest that ideas often come alive as thoughts only in a process of considerable distress. In the end he gives us literature--not the content of thought, but its form, its shape, the fugitive colors taken on by the mind as represented in art. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) | |
| 650 | 0 | _aLiteratur, Rhetorik, Literaturwissenschaft. | |
| 650 | 0 | _aLiterature. | |
| 650 | 0 | _aPhilosophy in literature. | |
| 650 | 0 | _aPhilosophy. | |
| 650 | 0 | _aThought and thinking in literature. | |
| 650 | 0 | _aThought and thinking. | |
| 650 | 4 | _aPhilosophy in literature. | |
| 650 | 4 | _aThought and thinking in literature. | |
| 650 | 7 |
_aLITERARY CRITICISM / General. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.4159/harvard.9780674334144 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780674334144 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780674334144/original |
| 942 | _cEB | ||
| 999 |
_c191643 _d191643 |
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