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001			192307
003			IT-RoAPU
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008			211129t20131992mau fo d z eng d
020			_a9780674430181 _qprint
020			_a9780674430204 _qPDF
024	7		_a10.4159/harvard.9780674430204 _2doi
035			_a(DE-B1597)9780674430204
035			_a(DE-B1597)248906
035			_a(OCoLC)979777815
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aBIO004000 _2bisacsh
082	0	4	_a780/.92
084			_aonline - DeGruyter
100	1		_aLockwood, Lewis _eautore
245	1	0	_aBeethoven : _bStudies in the Creative Processes / _cLewis Lockwood.
250			_aReprint 2014
264		1	_aCambridge, MA : _bHarvard University Press, _c[2013]
264		4	_c©1992
300			_a1 online resource (283 p.) : _b89 musical examples, 10 tables, 7 halftones, 1 line illustration
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tIntroduction -- _tONE. On Beethoven's Sketches and Autographs: Some Problems of Definition and Interpretation -- _tTWO. The Autograph of the First Movement of the Sonata for Violoncello and Pianoforte, Opus 69 -- _tTHREE. Beethoven's Sketches for Sehnsucht (WoO 146) -- _tFOUR. Eroica Perspectives: Strategy and Design in the First Movement -- _tFIVE. The Earliest Sketches for the Eroica Symphony -- _tSIX. The Compositional Genesis of the Eroica Finale -- _tSEVEN. Planning the Unexpected: Beethoven's Sketches for the Horn Entrance in the Eroica Symphony, First Movement -- _tEIGHT. The Problem of Closure: Some Examples from the Middle-Period Chamber Music -- _tNINE. Process versus Limits: A View of the Quartet in F Major, Opus 59 No. 1 -- _tTEN. On the Cavatina of Beethoven's String Quartet in B-flat Major, Opus 130 -- _tELEVEN. Beethoven's Autograph Manuscripts and the Modern Performer -- _tAPPENDIX I. Physical Features of the Autograph Manuscript of Opus 69, First Movement -- _tAPPENDIX II. Beethoven's Correspondence on the Text of Opus 69 -- _tAPPENDIX III. Use of Additional Staves in the Autograph of Opus 69 -- _tAPPENDIX IV. Provisional List of Variants in the Autograph of Opus 69 (excluding variants discussed in text) -- _tNotes -- _tCredits -- _tIndex of Compositions, Sketches, and Other Documents -- _tGeneral Index
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aIt is well known that Mozart developed his works in his head and then simply transcribed them onto paper, while Beethoven labored assiduously over sketches and drafts--"his first ideas," in Stephen Spender's words, "of a clumsiness which makes scholars marvel at how he could, at the end, have developed from them such miraculous results." Indeed Beethoven's extensive sketchbooks (which total over 8,000 pages) and the autograph manuscripts, covering several stages of development, reveal the composer systematically exploring and evolving his musical ideas. Through close investigation of individual works, Lewis Lockwood traces the creative process as it emerges in Beethoven's sketches and manuscripts. Four studies address the composition of the Eroica Symphony from various viewpoints. The chamber works discussed include the Cello Sonata in A Major, Opus 69 (of which the entire autograph manuscript of the first movement is published here in facsimile), the string quartet Opus 59 No. 1, and the Cavatina of the later quartet Opus 130. Lockwood's lucid analysis enhances our understanding of Beethoven's musical strategies and stylistic developments as well as the compositional process itself In a final chapter the author outlines the importance of Beethoven's autographs for the modern performer.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
650		0	_aAmerican literature.
650		0	_aCivilization.
650		0	_aEnglische Literatur Amerikas.
650		0	_aLiteratur.
650		0	_aZeittafel.
650		4	_aBeethoven, Ludwig van, 1770-1827 -- Criticism and interpretation.
650		4	_aMUSIC / General.
650		4	_aMUSIC / Genres & Styles / Classical.
650		7	_aBIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.4159/harvard.9780674430204
856	4	0	_uhttps://www.degruyter.com/isbn/9780674430204
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780674430204/original
942			_cEB
999			_c192307 _d192307