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| 035 | _a(DE-B1597)487116 | ||
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_a895.109 _223 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 2 |
_aA New Literary History of Modern China / _ced. by David Der-wei Wang. |
| 250 | _aPilot project. eBook available to selected US libraries only | ||
| 264 | 1 |
_aCambridge, MA : _bHarvard University Press, _c[2018] |
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| 264 | 4 | _c©2017 | |
| 300 |
_a1 online resource (1032 p.) : _b21 halftones, 1 map |
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_acomputer _bc _2rdamedia |
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_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction. Worlding Literary China -- _tThe Multiple Beginnings Of Modern Chinese “Literature” -- _tDutch Plays, Chinese Novels, And Images Of An Open World -- _tThe Revival of Letters in Nineteenth-Century China -- _tLegacies in clash: anticipatory modernity versus imaginary nostalgia -- _tRobert morrison’s chinese literature and translated modernity -- _tGongyang imaginary and looking to the confucian past for reform -- _tFlowers in the mirror and chinese women: “at home in the world” -- _tUtter disillusion and acts of repentance in late classical poetry -- _tIn search of a chinese utopia: the taiping rebellion as a literary event -- _tMy life in china and america and transpacific translations -- _tTwo chinese poets are homeless at home -- _tForeign devils, chinese sorcerers, and the politics of literary anachronism -- _tWomen writers in early modern china -- _tWang tao lands in hong kong -- _tMedia, literature, and early chinese modernity -- _tThe politics of translation and the romanization of chinese into a world language -- _tIn lithographic journals, text and image flourish on the same page -- _tLives of shanghai flowers, dialect fiction, and the genesis of vernacular modernity -- _tThe “new novel” before the rise of the new novel -- _tQiu feng jia and the poetics of tears -- _tLanguage reform and its discontents -- _tOracle bones, that dangerous supplement . . . -- _tLiang qichao’s suspended translation and the future of chinese new fiction -- _tFallen leaves, grieving cicadas, and poetic mourning after the boxer rebellion -- _tEliza crosses the ice—and an ocean—and uncle tom’s cabin arrives in china -- _tSherlock holmes comes to china -- _tImagining Modern Utopia By Rethinking Ancient Historiography -- _tWen And The “First History(-Ies) Of Chinese Literature” -- _tMünchhausen Travels To China Early In The Summer Of 1905, The Young Writer -- _tZhang Taiyan And The Revolutionary Politics Of Literary Restoration -- _tGlobal Theatrical Spectacle In Tokyo And Shanghai -- _tThe Death Of China’S First Feminist -- _tThe Death Of China’S First Feminist -- _tFrom Mara To Nobel -- _tA Classical Poetry Society Through Revolutionary Times -- _tRevolution And Love -- _tThe Book Of Datong As A Novel Of Utopia -- _tHu Shi And His Experiments -- _tInventing Youth In Modern China -- _tZhou Yucai Writes “A Madman’S Diary” Under The Pen Name Lu Xun -- _tModern Monkhood -- _tThe Big Misnomer: “May Fourth Literature” -- _tClinical Diagnosis For Taiwan -- _tTurning Babbitt Into Bai Bide -- _tXiang Kairan’S Monkey -- _tNew Culture And The Pedagogy Of Writing -- _tXu Zhimo And Chinese Romanticism -- _tEnchantment With The Voice -- _tLu Xun And Tombstones -- _tMei Lanfang, The Denishawn Dancers, And World Theater -- _t“This Spirit Of Independence And Freedom Of Thought . . . Will Last For Eternity With Heaven And Earth” -- _tThe Legend Of A Modern Woman Writer Of Classical Verse -- _tBa Jin Begins To Write Anarchist Novels -- _tRevolution And Rhine Wine -- _tGenealogies Of Romantic Disease -- _tGender, Commercialism, And The Literary Market -- _tThe Author As Celebrity -- _tPractical Criticism In China -- _tInvitation To A Beheading -- _tThe Chinese League Of Left-Wing Writers, 1930–1936 -- _tHei Ying’S “Pagan Love Song” -- _tRoots Of Peace And War, Beauty And Decay, Are Sought In China’S Good Earth -- _tRecollections Of Women Soldiers On The Long March -- _tOn Language, Literature, And The Silent Screen -- _tThe Execution Of Qu Qiubai -- _tThe Child And The Future Of China In The Legend Of Sanmao -- _tCrossing The River And Ding County Experimental Theater -- _tOne Day In China -- _tResonances Of A Visual Image In The Early Twentieth Century -- _tLu Xun And The Afterlife Of Texts -- _tCao Yu And His Drama -- _tA Chinese Poet’S Wartime Dream -- _tWilliam Empson, W. H. Auden, And Modernist Poetry In Wartime China -- _tThe Lost Novel Of The Nanjing Massacre -- _tThe Poetics And Politics Of Neo-Sensationism -- _tBetween Chineseness And Modernity: The Film Art Of Fei Mu -- _tChinese Revolution And Western Literature -- _tEileen Chang In Hong Kong -- _tIn War She Writes -- _tTaiwan’S Genius Lü Heruo -- _tThe Cultural And Political Significance Of Mao Zedong’S Talks At The Yan’An Forum On Literature And Art -- _tThe Genesis Of Peasant Revolutionary Literature -- _tThe North Has Mei Niang -- _tIdeologies Of Sound In Chinese Modernist Poetry -- _tThe Enigma Of Yu Dafu And Nanyang Literature -- _tOn Literature And Collaboration -- _tOn Memory And Trauma: From The 228 Incident To The White Terror -- _tThe Socratic Tradition In Modern China -- _tThe Life Of A Chinese Literature Textbook -- _tShen Congwen’S Journey: From Asylum To Museum -- _tA New Time Consciousness: The Great Leap Forward -- _tThe Genesis Of Literary History In New China -- _tTransnational Socialist Literature In China -- _tA Provocation To Literary History -- _tSalvaging Chinese Script And Designing The Mingkwai Typewriter -- _tLao She And America -- _tThe Emergence Of Regional Opera On The National Stage -- _tLu Ling, Hu Feng, And Literary Persecution -- _tHong Kong Modernism And I -- _tZhou Shoujuan’S Romance À La Mandarin Ducks And Butterflies -- _tOrphans Of Asia -- _tSino-Muslims And China’S Latin New Script: A Reunion Between Diaspora And Nationalism -- _tA Monumental Model For Future Perfect Theater -- _tMao Zedong Publishes Nineteen Poems And Launches The New Folk Song Movement -- _tOn The Song Of Youth And Literary Bowdlerization -- _tHunger And The Chinese Malaysian Leftist Narrative -- _tThree Ironic Moments In My Mother Ru Zhijuan’S Literary Career -- _tThe Legacies Of Jaroslav Průšek And C. T. Hsia -- _tFu Lei And Fou Ts’Ong: Cultural Cosmopolitanism And Its Price -- _tThe “Red Pageant” And China’S First Atomic Bomb -- _tRed Prison Files -- _tModernism Versus Nativism In 1960S Taiwan -- _tThe Specter Of Liu Shaoqi -- _tThe Red Lantern: Model Plays And Model Revolutionaries -- _tJin Yong Publishes The Smiling, Proud Wanderer In Ming Pao -- _tThe Angel Island Poems: Chinese Verse In The Modern Diaspora -- _tIn Search Of Qian Zhongshu -- _tA Subtle Encounter: Tête-Bêche And In The Mood For Love -- _tThe Mysterious Death Of Bruce Lee, Chinese Nationalism, And Cinematic Legacy -- _tYang Mu Negotiates Between Classicism And Modernism -- _tPoems From Underground -- _tA Modern Taiwanese Innocents Abroad -- _tConfessions Of A State Writer: The Novelist Hao Ran Offers A Self-Criticism -- _tChen Yingzhen On The White Terror In Taiwan -- _tLiu Binyan And The Price Of Relevance -- _tA Tale Of Two Cities -- _tFood, Diaspora, And Nostalgia -- _tDiscursive Heat: Humanism In 1980S China -- _tThe Advent Of Modern Tibetan Free-Verse Poetry In The Tibetan Language -- _tLiterary Representation Of The White Terror And Rupture In Mid-Twentieth- Century Taiwan -- _tSearching For Roots In Literature And Film -- _tThe Writer And The Mad(Wo)Man -- _tThe Birth Of China’S Literary Avant-Garde -- _tGao Xing Jian’S Pursuit Of Freedom In The Spirit Of Zhuangzi -- _t“Rewriting Literary History” In The New Era Of Liberated Thought -- _tAnything Chinese About This Suicide? -- _tThe Song That Rocked Tiananmen Square -- _tTrauma And Cinematic Lyricism -- _tFrom The Margins To The Mainstream: A Tale Of Two Wangs -- _tMeng Jinghui And Avant-Garde Chinese Theater -- _tThe Death Of Teresa Teng -- _tFormal Experiments In Qiu Miaojin’S “Lesbian I Ching” -- _tModern China As Seen From An Island Perspective -- _t“The First Modern Asian Gay Novel” -- _tHong Kong’S Literary Retrocession In Three Fantastical Novels -- _tRepresenting The Sinophone, Truly: On Tsai Ming-Liang’S I Don’T Want To Sleep Alone -- _tThe Silversmith Of Fiction -- _tThe Poet In The Machine: Hsia Yü’S Analog Poetry Enters The Digital Age -- _tSixteen-Year- Old Han Han Roughs Up The Literary Scene -- _tResurrecting A Postlapsarian Pagoda In A Postrevolutionary World -- _tWolf Totem And Nature Writing -- _tChinese Verse Going Viral: “Removing The Shackles Of Poetry” -- _tSuddenly Coming Into My Own -- _tWriter-Wanderer Li Yongping And Chinese Malaysian Literature -- _tChinese Media Fans Express Patriotism Through Parody Of Japanese Web Comic -- _tAng Lee’S Adaptation, Pretense, Transmutation -- _tEncountering Shakespeare’S Plays In The Sinophone World -- _tDefending The Dignity |
| 505 | 0 | 0 |
_tOf The Novel -- _tMinority Heritage In The Age Of Multiculturalism -- _tYe Si And Lyricism -- _tLightning Strikes Twice: “Mother Tongue” Minority Poetry -- _tChinese Science Fiction Presents The Posthuman Future -- _tContributors -- _tIllustration Credits -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aLiterature, from the Chinese perspective, makes manifest the cosmic patterns that shape and complete the world—a process of “worlding” that is much more than mere representation. In that spirit, A New Literary History of Modern China looks beyond state-sanctioned works and official narratives to reveal China as it has seldom been seen before, through a rich spectrum of writings covering Chinese literature from the late-seventeenth century to the present. Featuring over 140 Chinese and non-Chinese contributors from throughout the world, this landmark volume explores unconventional forms as well as traditional genres—pop song lyrics and presidential speeches, political treatises and prison-house jottings, to name just a few. Major figures such as Lu Xun, Shen Congwen, Eileen Chang, and Mo Yan appear in a new light, while lesser-known works illuminate turning points in recent history with unexpected clarity and force. Many essays emphasize Chinese authors’ influence on foreign writers as well as China’s receptivity to outside literary influences. Contemporary works that engage with ethnic minorities and environmental issues take their place in the critical discussion, alongside writers who embraced Chinese traditions and others who resisted. Writers’ assessments of the popularity of translated foreign-language classics and avant-garde subjects refute the notion of China as an insular and inward-looking culture. A vibrant collection of contrasting voices and points of view, A New Literary History of Modern China is essential reading for anyone seeking a deeper understanding of China’s literary and cultural legacy. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) | |
| 650 | 0 |
_aChinese literature _xHistory and criticism. |
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| 650 | 0 |
_aLiterature and society _zChina _xHistory. |
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| 650 | 7 |
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| 856 | 4 | 0 | _uhttps://doi.org/10.4159/9780674978898 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780674978898 |
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