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| 001 | 194099 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501181649.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230127t20182019nju fo d z eng d | ||
| 020 |
_a9780691181936 _qprint |
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| 020 |
_a9780691184913 _qPDF |
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| 024 | 7 |
_a10.1515/9780691184913 _2doi |
|
| 035 | _a(DE-B1597)9780691184913 | ||
| 035 | _a(DE-B1597)501607 | ||
| 035 | _a(OCoLC)1062360690 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aJC328.3 | |
| 072 | 7 |
_aLIT004220 _2bisacsh |
|
| 082 | 0 | 4 |
_a322.408992709051 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aEl-Ariss, Tarek _eautore |
|
| 245 | 1 | 0 |
_aLeaks, Hacks, and Scandals : _bArab Culture in the Digital Age / _cTarek El-Ariss. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2018] |
|
| 264 | 4 | _c©2019 | |
| 300 | _a1 online resource (240 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
||
| 490 | 0 |
_aTranslation/Transnation ; _v42 |
|
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tNOTE ON TRANSLATION AND TRANSLITERATION -- _tINTRODUCTION -- _t1. On Leaking: From The Arabian Nights to WikiLeaks -- _t2. What Is in My Heart Is on My Twitter -- _t3. The Infinite Scroll -- _t4. Fiction of Scandal Redux -- _t5. Cyber-Raiding -- _tCONCLUSION -- _tNOTES -- _tGLOSSARY -- _tBIBLIOGRAPHY -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aHow digital media are transforming Arab culture, literature, and politicsIn recent years, Arab activists have confronted authoritarian regimes both on the street and online, leaking videos and exposing atrocities, and demanding political rights. Tarek El-Ariss situates these critiques of power within a pervasive culture of scandal and leaks and shows how cultural production and political change in the contemporary Arab world are enabled by digital technology yet emerge from traditional cultural models.Focusing on a new generation of activists and authors from Egypt and the Arabian Peninsula, El-Ariss connects WikiLeaks to The Arabian Nights, Twitter to mystical revelation, cyberattacks to pre-Islamic tribal raids, and digital activism to the affective scene-making of Arab popular culture. He shifts the epistemological and historical frameworks from the postcolonial condition to the digital condition and shows how new media challenge the novel as the traditional vehicle for political consciousness and intellectual debate.Theorizing the rise of “the leaking subject” who reveals, contests, and writes through chaotic yet highly political means, El-Ariss investigates the digital consciousness, virality, and affective forms of knowledge that jolt and inform the public and that draw readers in to the unfolding fiction of scandal.Leaks, Hacks, and Scandals maps the changing landscape of Arab modernity, or Nahda, in the digital age and traces how concepts such as the nation, community, power, the intellectual, the author, and the novel are hacked and recoded through new modes of confrontation, circulation, and dissent. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 0 |
_aCommunication _xPolitical aspects _zArab countries. |
|
| 650 | 0 |
_aDigital media _xPolitical aspects _zArab countries. |
|
| 650 | 0 |
_aInternet _xPolitical aspects _zArab countries. |
|
| 650 | 0 |
_aLeaks (Disclosure of information) _zArab countries. |
|
| 650 | 0 |
_aPolitical activists _zArab countries _xHistory _y21st century. |
|
| 650 | 0 |
_aSocial media _xPolitical aspects _zArab countries. |
|
| 650 | 7 |
_aLITERARY CRITICISM / Middle Eastern. _2bisacsh |
|
| 653 | _aArab activists. | ||
| 653 | _aArab authors. | ||
| 653 | _aArab culture. | ||
| 653 | _aArab modernity. | ||
| 653 | _aArab popular culture. | ||
| 653 | _aArab world. | ||
| 653 | _aArab writers. | ||
| 653 | _aBadriah Albeshr. | ||
| 653 | _aEgypt. | ||
| 653 | _aEgyptian activist. | ||
| 653 | _aGulf. | ||
| 653 | _aInternet. | ||
| 653 | _aKhaled Alkhamissi. | ||
| 653 | _aMujtahidd. | ||
| 653 | _aRajaa Alsanea. | ||
| 653 | _aSaudi royal family. | ||
| 653 | _aThe Arabian Nights. | ||
| 653 | _aTwitter. | ||
| 653 | _aWael Abbas. | ||
| 653 | _aWikiLeaks. | ||
| 653 | _aactivism. | ||
| 653 | _aactivist. | ||
| 653 | _aactivists. | ||
| 653 | _aapostasy. | ||
| 653 | _aauthoritarian regimes. | ||
| 653 | _aavatar. | ||
| 653 | _abloggers. | ||
| 653 | _abodily function. | ||
| 653 | _acivility. | ||
| 653 | _aconfrontation. | ||
| 653 | _adigital age. | ||
| 653 | _adigital consciousness. | ||
| 653 | _adigital media. | ||
| 653 | _adisrespectful. | ||
| 653 | _adissent. | ||
| 653 | _afiction. | ||
| 653 | _ahashtag campaign. | ||
| 653 | _aimpolite. | ||
| 653 | _aleakers. | ||
| 653 | _aleaking. | ||
| 653 | _aleaks. | ||
| 653 | _aliterary culture. | ||
| 653 | _aliterature. | ||
| 653 | _amodernity. | ||
| 653 | _anew media technology. | ||
| 653 | _aonline harassment. | ||
| 653 | _apolitical consciousness. | ||
| 653 | _apolitics. | ||
| 653 | _apower. | ||
| 653 | _apublic sphere. | ||
| 653 | _arude. | ||
| 653 | _ascandal. | ||
| 653 | _asocial media. | ||
| 653 | _atechno-salvation. | ||
| 653 | _atweeter. | ||
| 653 | _auncivil. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780691184913?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780691184913 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691184913/original |
| 942 | _cEB | ||
| 999 |
_c194099 _d194099 |
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