000			03185nam a22005055i 4500
001			194200
003			IT-RoAPU
005			20221214232748.0
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007			cr || ||||||||
008			210830t20181999nju fo d z eng d
020			_a9780691186276 _qPDF
024	7		_a10.1515/9780691186276 _2doi
035			_a(DE-B1597)9780691186276
035			_a(DE-B1597)501643
035			_a(OCoLC)1076412429
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPER010030 _2bisacsh
082	0	4	_a791.43/01/50973 _223
084			_aonline - DeGruyter
100	1		_aTaylor, Greg _eautore
245	1	0	_aArtists in the Audience : _bCults, Camp, and American Film Criticism / _cGreg Taylor.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2018]
264		4	_c©1999
300			_a1 online resource (208 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tPreface -- _tCHAPTER ONE. The Spectator as Critic as Artist -- _tCHAPTER TWO. Movies to the Rescue: American Modernism and the Middlebrow Challenge -- _tCHAPTER THREE. Life on the Edge: Manny Färber and Cult Criticism -- _tCHAPTER FOUR. Hallucinating Hollywood: Parker Tyler and Camp Spectatorship -- _tCHAPTER FIVE. From Termites to Auteurs: Cultism Goes Mainstream -- _tCHAPTER SIX. Heavy Culture and Underground Camp -- _tCHAPTER SEVEN. Retreat i n to Theory -- _tCONCLUSION. Love, Death, and the Limits o f Artistic Criticism -- _tNotes -- _tReferences -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aGone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aCamp (Style).
650		0	_aFilm criticism _zUnited States _xHistory.
650		0	_aMotion pictures _xAesthetics.
650		7	_aPERFORMING ARTS / Television / History & Criticism. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780691186276?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780691186276
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780691186276.jpg
942			_cEB
999			_c194200 _d194200