000			06775nam a2201753 454500
001			194434
003			IT-RoAPU
005			20250106150347.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			240625t20192019nju fo d z eng d
020			_a9780691183626 _qprint
020			_a9780691189963 _qPDF
024	7		_a10.1515/9780691189963 _2doi
035			_a(DE-B1597)9780691189963
035			_a(DE-B1597)527242
035			_a(OCoLC)1090728547
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aNX543
072		7	_aLIT020000 _2bisacsh
082	0	4	_a700.942 _223
084			_aonline - DeGruyter
100	1		_aLavery, Grace Elisabeth _eautore
245	1	0	_aQuaint, Exquisite : _bVictorian Aesthetics and the Idea of Japan / _cGrace Elisabeth Lavery.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2019]
264		4	_c©2019
300			_a1 online resource (240 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tPreface: Another Empire: Victorian Japan -- _tIntroduction: Analytic of the Exquisite -- _t1. Not About Japan -- _t2. All Margin -- _t3. The Pre-Raphaelite Haiku -- _t4. Loving John Ruskin -- _t5. The Sword and the Chrysanthemum -- _tNotes -- _tIndex -- _tIllustration credits
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFrom the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. Quaint, Exquisite explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization.Drawing on philosophy, psychoanalysis, queer theory, textual criticism, and a wealth of in-depth archival research, Grace Lavery provides a radical new genealogy of aesthetic experience in modernity. She argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the “subjective universal” condition of aesthetic judgment. The book features illuminating cultural histories of Gilbert and Sullivan’s Mikado, English derivations of the haiku, and retellings of the Madame Butterfly story, and sheds critical light on lesser-known figures such as Winnifred Eaton, an Anglo-Chinese novelist who wrote under the Japanese pseudonym Onoto Watanna, and Mikimoto Ryuzo, a Japanese enthusiast of the Victorian art critic John Ruskin. Lavery also explains the importance and symbolic power of such material objects as W. B. Yeats’s prized katana sword and the “Japanese vellum” luxury editions of Oscar Wilde.Quaint, Exquisite provides essential insights into the modern understanding of beauty as a vehicle for both intimacy and violence, and the lasting influence of Japanese forms today on writers and artists such as Quentin Tarantino.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aAesthetics, Japanese.
650		0	_aAesthetics, Modern _y19th century.
650		0	_aArt, Japanese _y19th century.
650		0	_aArts, British _xJapanese influences.
650		0	_aArts, British _y19th century.
650		7	_aLITERARY CRITICISM / Comparative Literature. _2bisacsh
653			_aAbjection.
653			_aAesthetic Theory.
653			_aAestheticism.
653			_aAesthetics.
653			_aAllegory.
653			_aAmbivalence.
653			_aAnacoluthon.
653			_aAnalogy.
653			_aAnecdote.
653			_aAnn Cvetkovich.
653			_aAsyndeton.
653			_aBasil Hall Chamberlain.
653			_aBathos.
653			_aBernard Leach.
653			_aBiography.
653			_aBureaucrat.
653			_aCaricature.
653			_aCastration.
653			_aCriticism.
653			_aCulture of Japan.
653			_aDante Gabriel Rossetti.
653			_aEdward Said.
653			_aEmoji.
653			_aEnthusiasm.
653			_aEpigram.
653			_aEpigraph (literature).
653			_aErnest Fenollosa.
653			_aEssay.
653			_aEuphemism.
653			_aEzra Pound.
653			_aFine art.
653			_aFors Clavigera.
653			_aGenre.
653			_aHannah Arendt.
653			_aHistoricism.
653			_aHistoriography.
653			_aHokku.
653			_aHokusai.
653			_aHomosexuality.
653			_aHyperbole.
653			_aHypocrisy.
653			_aI. A. Richards.
653			_aIdeology.
653			_aIllustration.
653			_aIrony.
653			_aJapanese aesthetics.
653			_aJapanese art.
653			_aJapanese poetry.
653			_aJohn Ruskin.
653			_aLecture.
653			_aLibretto.
653			_aLiterature.
653			_aManuscript.
653			_aMemoir.
653			_aMetanarrative.
653			_aMetonymy.
653			_aModernism.
653			_aModernity.
653			_aMr.
653			_aNarcissism.
653			_aNarration.
653			_aNarrative.
653			_aNatsume Soseki.
653			_aNovel.
653			_aNovelist.
653			_aOrientalism.
653			_aOscar Wilde.
653			_aParody.
653			_aPoetry.
653			_aPostmodernism.
653			_aProse.
653			_aPseudonym.
653			_aPsychoanalysis.
653			_aPublication.
653			_aQueer theory.
653			_aQuentin Tarantino.
653			_aRacism.
653			_aRoland Barthes.
653			_aRomanticism.
653			_aRossetti.
653			_aSatire.
653			_aSentimentality.
653			_aShame.
653			_aSui Sin Far.
653			_aSuperiority (short story).
653			_aSymptom.
653			_aThe Chrysanthemum and the Sword.
653			_aThe Other Hand.
653			_aThe Various.
653			_aTheory.
653			_aThomas Carlyle.
653			_aThought.
653			_aUkiyo-e.
653			_aV.
653			_aVictorian era.
653			_aW. B. Yeats.
653			_aWestern culture.
653			_aWriter.
653			_aWriting.
653			_aYone Noguchi.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780691189963?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780691189963
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691189963/original
942			_cEB
999			_c194434 _d194434