000			04176nam a22005415i 4500
001			194471
003			IT-RoAPU
005			20221214232758.0
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008			210621t20192019nju fo d z eng d
020			_a9780691181875 _qprint
020			_a9780691190549 _qPDF
024	7		_a10.1515/9780691190549 _2doi
035			_a(DE-B1597)9780691190549
035			_a(DE-B1597)506366
035			_a(OCoLC)1083671325
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aNA1370
072		7	_aART015090 _2bisacsh
082	0	4	_a724/.160949618 _223
084			_aonline - DeGruyter
100	1		_aRüstem, Ünver _eautore
245	1	0	_aOttoman Baroque : _bThe Architectural Refashioning of Eighteenth-Century Istanbul / _cÜnver Rüstem.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2019]
264		4	_c©2019
300			_a1 online resource (336 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tNote on Captions, Transliterations, and Translations -- _tIntroduction -- _tCHAPTER 1. SETTING THE SCENE -- _tCHAPTER 2. PLEASING TIMES AND THEIR "PLEASING NEW STYLE" -- _tCHAPTER 3. A TRADITION REBORN -- _tCHAPTER 4. THE OLD, THE NEW, AND THE IN-BETWEEN -- _tCHAPTER 5. AT THE SULTAN'S THRESHOLD -- _tConclusion -- _tNotes -- _tBibliography -- _tIndex -- _tImage Credits
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aA new approach to late Ottoman visual culture and its place in the worldWith its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque-the first English-language book on the topic-Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously co-opted European forms to craft a new, politically charged, and globally resonant image for their empire's capital.Rüstem reclaims the label "Ottoman Baroque" as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)
650		0	_aArchitecture, Baroque _xInfluence.
650		0	_aArchitecture, Baroque _zTurkey _zIstanbul _xHistory _y18th century.
650		0	_aArchitecture, Ottoman _zTurkey _zIstanbul _xHistory _y18th century.
650		7	_aART / History / Baroque & Rococo. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780691190549?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780691190549
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780691190549.jpg
942			_cEB
999			_c194471 _d194471