| 000 | 05608nam a22009855i 4500 | ||
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| 001 | 194507 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232800.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20181993nju fo d z eng d | ||
| 020 |
_a9780691193960 _qPDF |
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| 024 | 7 |
_a10.1515/9780691193960 _2doi |
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| 035 | _a(DE-B1597)9780691193960 | ||
| 035 | _a(DE-B1597)514654 | ||
| 035 | _a(OCoLC)1066184344 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aART015000 _2bisacsh |
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| 082 | 0 | 4 |
_a745.4/4 _223/eng |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aRiegl, Alois _eautore |
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| 245 | 1 | 0 |
_aProblems of Style : _bFoundations for a History of Ornament / _cAlois Riegl; ed. by David Castriota. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2018] |
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| 264 | 4 | _c©1993 | |
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aPrinceton Legacy Library ; _v5232 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tTABLE OF CONTENTS -- _tLIST OF ILLUSTRATIONS -- _tTRANSLATOR’S NOTE -- _tPREFACE -- _tANNOTATOR’S INTRODUCTION AND ACKNOWLEDGMENTS -- _tINTRODUCTION -- _tCHAPTER 1. The Geometric Style -- _tCHAPTER 2. The Heraldic Style -- _tCHAPTER 3. The Introduction of Vegetal Ornament and the Development of the Ornamental Tendril -- _tCHAPTER 4. The Arabesque -- _tANNOTATIONS -- _tGLOSSARY OF TERMS AND CONCEPTS USED BY RIEGL |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aWritten at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Reigl's Stilfragen represented a turning point in defining art and understanding the sources of tis inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge minifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate.His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundowrk for his famous concept of Kunstwollen, or artistic intention."Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are mde to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity." --From the preface of Henri ZernerAlois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the histoyr of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 7 |
_aART / History / General. _2bisacsh |
|
| 653 | _aAegean art. | ||
| 653 | _aAncient Egypt. | ||
| 653 | _aArak (drink). | ||
| 653 | _aArchaeology. | ||
| 653 | _aArt of ancient Egypt. | ||
| 653 | _aBronze Age. | ||
| 653 | _aCivilization. | ||
| 653 | _aConflation. | ||
| 653 | _aCultures (video game series). | ||
| 653 | _aCylinder Seal. | ||
| 653 | _aEbla. | ||
| 653 | _aEmbellishment. | ||
| 653 | _aFurniture. | ||
| 653 | _aGreek art. | ||
| 653 | _aIdem. | ||
| 653 | _aIron Age. | ||
| 653 | _aKerma. | ||
| 653 | _aLisht. | ||
| 653 | _aMainz. | ||
| 653 | _aMastaba. | ||
| 653 | _aMereruka. | ||
| 653 | _aMesopotamia. | ||
| 653 | _aMural. | ||
| 653 | _aNew Kingdom of Egypt. | ||
| 653 | _aNile. | ||
| 653 | _aNofret. | ||
| 653 | _aPalmette. | ||
| 653 | _aPilaster. | ||
| 653 | _aPlant stem. | ||
| 653 | _aPtahhotep. | ||
| 653 | _aRelief. | ||
| 653 | _aReligions of the ancient Near East. | ||
| 653 | _aSaqqara. | ||
| 653 | _aStatue. | ||
| 653 | _aStrasbourg. | ||
| 653 | _aSuggestion. | ||
| 653 | _aThe Various. | ||
| 653 | _aTomb. | ||
| 653 | _aVolute. | ||
| 653 | _aWestern Asia. | ||
| 700 | 1 |
_aCastriota, David _ecuratore |
|
| 700 | 1 |
_aKain, Evelyn _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780691193960?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780691193960 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691193960/original |
| 942 | _cEB | ||
| 999 |
_c194507 _d194507 |
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