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020 _a9780691190969
_qprint
020 _a9780691194134
_qPDF
024 7 _a10.1515/9780691194134
_2doi
035 _a(DE-B1597)9780691194134
035 _a(DE-B1597)527255
035 _a(OCoLC)1108619332
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPS153.N5
072 7 _aSOC056000
_2bisacsh
082 0 4 _a810.9896073
_223
084 _aonline - DeGruyter
100 1 _aNurhussein, Nadia
_eautore
245 1 0 _aBlack Land :
_bImperial Ethiopianism and African America /
_cNadia Nurhussein.
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2019]
264 4 _c©2019
300 _a1 online resource (280 p.) :
_b17 b/w illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIllustrations --
_tAcknowledgments --
_tIntroduction --
_tChapter One. Recognizing the Ethiopian Flag --
_tChapter Two. Pauline E. Hopkins and the Shadow of Transcription --
_tChapter Three. Fashioning the Imperial Self --
_tChapter Four. Imperial Embellishment --
_tChapter Five. Empire on the World Stage --
_tChapter Six. Martial Ethiopianism in Verse --
_tChapter Seven. George S. Schuyler and the Appeal of Imperial Ethiopia --
_tChapter Eight. Claude McKay and the Display of Aristocracy --
_tConclusion. Langston Hughes's business suit --
_tNotes --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThe first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuriesAs the only African nation, with the exception of Liberia, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americans. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of a country asserting itself as an imperial power.Nurhussein navigates an assortment of texts by Walt Whitman, Paul Laurence Dunbar, Pauline Hopkins, Harry Dean, Langston Hughes, Claude McKay, George Schuyler, and others, alongside images and performances that show the intersection of African America with Ethiopia during historic political shifts. From a description of a notorious 1920 Star Order of Ethiopia flag-burning demonstration in Chicago to a discussion of the Ethiopian emperor Haile Selassie as Time magazine's Man of the Year for 1935, Nurhussein illuminates the growing complications that modern Ethiopia posed for American writers and activists. American media coverage of the African nation exposed a clear contrast between the Pan-African ideal and the modern reality of Ethiopia as an antidemocratic imperialist state: Did Ethiopia represent the black nation of the future, or one of an inert and static past?Revising current understandings of black transnationalism, Black Land presents a well-rounded exploration of an era when Ethiopia's presence in African American culture was at its height.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)
650 0 _aAfrican American art
_xAfrican influences.
650 0 _aAfrican American art
_y19th century.
650 0 _aAfrican American art
_y20th century.
650 0 _aAmerican literature
_xAfrican American authors
_xHistory and criticism.
650 0 _aAmerican literature
_y19th century
_xHistory and criticism.
650 0 _aAmerican literature
_y20th century
_xHistory and criticism.
650 0 _aEthiopians
_zUnited States.
650 7 _aSOCIAL SCIENCE / Black Studies (Global).
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780691194134?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780691194134
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9780691194134.jpg
942 _cEB
999 _c194510
_d194510