000			06628nam a2201753 454500
001			194726
003			IT-RoAPU
005			20250106150351.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			240625t20191948nju fo d z eng d
020			_a9780691200712 _qPDF
024	7		_a10.1515/9780691200712 _2doi
035			_a(DE-B1597)9780691200712
035			_a(DE-B1597)535167
035			_a(OCoLC)1103918502
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aML2633
072		7	_aMUS020000 _2bisacsh
082	0	4	_a784.1
084			_aonline - DeGruyter
100	1		_aEinstein, Alfred _eautore
245	1	4	_aThe Italian Madrigal : _bVolume I / _cAlfred Einstein; ed. by Oliver Strunk, Alexander H. Krappe, Roger Sessions.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2019]
264		4	_c©1948
300			_a1 online resource (512 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aPrinceton Legacy Library ; _v5600
505	0	0	_tFrontmatter -- _tPREFACE -- _tCONTENTS -- _tLIST OF ILLUSTRATIONS -- _tVOLUME I -- _tCHAPTER I. ANTECEDENTS -- _tCHAPTER II. ORIGINS OF THE MADRIGAL -- _tCHAPTER III. THE EARLY MADRIGAL -- _tCHAPTER IV. THE LIGHTER FORMS -- _tCHAPTER V. THE POST-CLASSIC MADRIGAL
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aVolume 1 of 3. This monumental three-volume work on the Italian madrigal from its beginnings about 1500 to its decline in the 17th century is based on the research of 40 years, and is a cultural history of the development of Italian music. Mr. Einstein, renowned musicologist, supplies a background and a sense of proportion to the field: he gives the right order to the single composers in the evolution fo the madrigal, attaches new values to old names, and places in the foreground the outstanding, but until now rather neglected, personality of Cipriano de Rore. His work is not, however, purely musicological; his object is to inquire into the functions of secular music in Italian life during the Cinquecento, and to contribute to our knowledge and understanding of that great century in general. Translated from the German by Oliver Strunk, Roger Sessions and Alexander H. Krappe.Originally published in 1948.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aMadrigals _zItaly.
650		0	_aMusic _zItaly _xHistory _y16th century.
650		7	_aMUSIC / History & Criticism. _2bisacsh
653			_aAbsurdity.
653			_aAmbivalence.
653			_aAn die ferne Geliebte.
653			_aAndrea Gabrieli.
653			_aAntoine (musician).
653			_aAttention.
653			_aBaldassare Castiglione.
653			_aBallata.
653			_aBevilacqua.
653			_aBradamante.
653			_aBrain in a vat.
653			_aCanzone.
653			_aCatullus.
653			_aChanson.
653			_aChoir.
653			_aClaudio Monteverdi.
653			_aComposer.
653			_aContrition.
653			_aCornelia (gens).
653			_aCostanzo Festa.
653			_aDeclamation.
653			_aDempster–Shafer theory.
653			_aDivino.
653			_aDorico.
653			_aDunstable.
653			_aEclogue.
653			_aEpistemology.
653			_aErcole de' Roberti.
653			_aEuripides.
653			_aFrancesco Landini.
653			_aFrottola.
653			_aGothic art.
653			_aGrand opera.
653			_aGratitude.
653			_aHolism.
653			_aHomage (arts).
653			_aInquiry.
653			_aIntelligibility (communication).
653			_aIsle de France (Mauritius).
653			_aItalian name.
653			_aItalians.
653			_aJacob Obrecht.
653			_aLeggera.
653			_aLibretto.
653			_aLinguistic philosophy.
653			_aLogical consequence.
653			_aLuca Marenzio.
653			_aMetaphor.
653			_aMixolydian mode.
653			_aMonody.
653			_aMotet.
653			_aMusician.
653			_aMusico.
653			_aMutatis mutandis.
653			_aNervo (duo).
653			_aPantalone.
653			_aParody.
653			_aParsifal.
653			_aPessimism.
653			_aPetrarch.
653			_aPhilosopher.
653			_aPiero Soderini.
653			_aPietro Bembo.
653			_aPleasure.
653			_aPoet.
653			_aPoetics (Aristotle).
653			_aPoetry.
653			_aPolonium.
653			_aPordenone.
653			_aPotentate.
653			_aPrinceton University.
653			_aQuatrain.
653			_aQuattrocento.
653			_aReality.
653			_aReason.
653			_aRepublic of San Marco.
653			_aRequirement.
653			_aScientific theory.
653			_aSecular music.
653			_aSemantics.
653			_aSestina.
653			_aSextus Empiricus.
653			_aSiena.
653			_aSkepticism.
653			_aSonnet.
653			_aStanza.
653			_aSuggestion.
653			_aThe Other Hand.
653			_aThe Various.
653			_aTheory of justification.
653			_aTitian.
653			_aTormenta (singer).
653			_aUnless.
653			_aUtterance.
653			_aVerificationism.
653			_aVillanella.
653			_aViolin family.
653			_aVittoria Colonna.
653			_aWork of art.
653			_aWriting.
700	1		_aKrappe, Alexander H. _ecuratore
700	1		_aSessions, Roger _ecuratore
700	1		_aStrunk, Oliver _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780691200712?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780691200712
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691200712/original
942			_cEB
999			_c194726 _d194726