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| 001 | 194768 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150351.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 240625t20202020nju fo d z eng d | ||
| 020 |
_a9780691201566 _qPDF |
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| 024 | 7 |
_a10.1515/9780691201566 _2doi |
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| 035 | _a(DE-B1597)9780691201566 | ||
| 035 | _a(DE-B1597)539879 | ||
| 035 | _a(OCoLC)1130903893 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT014000 _2bisacsh |
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| 082 | 0 | 4 |
_a809.1/04 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBurnside, John _eautore |
|
| 245 | 1 | 4 |
_aThe Music of Time : _bPoetry in the Twentieth Century / _cJohn Burnside. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2020] |
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| 264 | 4 | _c©2020 | |
| 300 | _a1 online resource (520 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tA NOTE TO THE READER -- _tINTRODUCTION -- _tGHOSTLY MUSIC IN THE AIR -- _tEVERYONE SANG -- _tL’INFINITO -- _tEINEN REINEN VORGANG -- _tTHE GRIEF THAT DOES NOT SPEAK -- _tTHE POWER OF THE VISIBLE -- _tA VERY YOUNG POLICEMAN EXPLODING -- _tAN OLD CHAOS OF THE SUN -- _tWELTENTON -- _tLA RAZÓN POÉTICA -- _tWHY LOOK AT ANIMALS? -- _tA STONY INVITATION TO REFLECT -- _tA GOLDEN AGE OF POETRY AND POWER -- _tWHERE TURTLES WIN -- _tSÓLO TÚ, ALMA MÍA -- _tLIKE A STRIPÈD PAIR OF PANTS -- _tTANTALUS IN LOVE -- _tA GIFT TO THE FUTURE -- _tTHE PANIC OF THE ADVERSARY -- _tTHE BAT-POET -- _tTO RECLAIM LOST SPACE -- _tA TOWERING STRANGENESS -- _tTHE POETS IN GHANA -- _tNOTES -- _tSELECT BIBILIOGRAPHY -- _tACKNOWLEDGEMENTS -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aA revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a kind of music. The Music of Time is a unique history of twentieth-century poetry by one of today's most acclaimed poets, blending incandescent personal meditations with rare insights about a broad range of poets who distilled the essence of the moment, gave voice to our griefs and joys, and shaped our collective memory.Bringing together poets from times and places as diverse as Tsarist Russia, 1960s Harlem, and Ireland at the height of the Troubles, John Burnside reveals how poetry responded to the dramatic events of the century while shaping our impressions of them. He takes readers from the trenches of World War I to a prison cell in Nazi Germany, and from Rilke's grave in the Swiss Alps to Dylan Thomas's Welsh seaside. His luminous narrative is woven through with insights into the poet's creative process as well as lyrical and thought-provoking digressions on topics ranging from marriage to the Kennedy assassination.A spellbinding work of literary history, The Music of Time reveals how poets engaged with the most important issues and events of the twentieth century, and bears personal witness to the beauty and power of an art form unlike any other. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 |
_aPoetry _xCriticism and interpretation. |
|
| 650 | 0 |
_aPoetry, Modern _y20th century _xHistory and criticism. |
|
| 650 | 0 |
_aPoets _xCriticism and interpretation. |
|
| 650 | 7 |
_aLITERARY CRITICISM / Poetry. _2bisacsh |
|
| 653 | _aAllen Ginsberg. | ||
| 653 | _aAllusion. | ||
| 653 | _aAmbiguity. | ||
| 653 | _aAnna Akhmatova. | ||
| 653 | _aAssassination. | ||
| 653 | _aBlack people. | ||
| 653 | _aBoredom. | ||
| 653 | _aCopyright. | ||
| 653 | _aCowardice. | ||
| 653 | _aD. H. Lawrence. | ||
| 653 | _aDetermination. | ||
| 653 | _aDisgust. | ||
| 653 | _aDrinking. | ||
| 653 | _aDylan Thomas. | ||
| 653 | _aEmily Dickinson. | ||
| 653 | _aEpithet. | ||
| 653 | _aEzra Pound. | ||
| 653 | _aGeographer. | ||
| 653 | _aGrief. | ||
| 653 | _aHatred. | ||
| 653 | _aHumility. | ||
| 653 | _aI Wish (manhwa). | ||
| 653 | _aIn Death. | ||
| 653 | _aIndustrialisation. | ||
| 653 | _aIrony. | ||
| 653 | _aJohn F. Kennedy. | ||
| 653 | _aJohn Masefield. | ||
| 653 | _aLament. | ||
| 653 | _aLiterature. | ||
| 653 | _aMarianne Moore. | ||
| 653 | _aMoabit. | ||
| 653 | _aModernity. | ||
| 653 | _aMourning. | ||
| 653 | _aMutability (poem). | ||
| 653 | _aNarrative. | ||
| 653 | _aOptimism. | ||
| 653 | _aPessimism. | ||
| 653 | _aPhilip Larkin. | ||
| 653 | _aPhilosopher. | ||
| 653 | _aPicturesque. | ||
| 653 | _aPity. | ||
| 653 | _aPoetry. | ||
| 653 | _aPoiesis. | ||
| 653 | _aPolice officer. | ||
| 653 | _aProse. | ||
| 653 | _aRacism. | ||
| 653 | _aRainer Maria Rilke. | ||
| 653 | _aRandall Jarrell. | ||
| 653 | _aRhyme scheme. | ||
| 653 | _aRobert Bly. | ||
| 653 | _aRobert Frost. | ||
| 653 | _aRobert Lowell. | ||
| 653 | _aSeamus Heaney. | ||
| 653 | _aSense of Place. | ||
| 653 | _aSensibility. | ||
| 653 | _aSentimentality. | ||
| 653 | _aSoliloquy. | ||
| 653 | _aSongwriter. | ||
| 653 | _aStanza. | ||
| 653 | _aSuggestion. | ||
| 653 | _aSymptom. | ||
| 653 | _aT. S. Eliot. | ||
| 653 | _aThe Noise of Time. | ||
| 653 | _aThe Other Hand. | ||
| 653 | _aTotalitarianism. | ||
| 653 | _aUsury. | ||
| 653 | _aW. H. Auden. | ||
| 653 | _aWallace Stevens. | ||
| 653 | _aWoodcut. | ||
| 653 | _aWriting. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780691201566?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780691201566 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691201566/original |
| 942 | _cEB | ||
| 999 |
_c194768 _d194768 |
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