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| 001 | 194808 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150352.0 | ||
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| 008 | 240625t20202020nju fo d z eng d | ||
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_a9780691203492 _qprint |
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| 020 |
_a9780691203768 _qPDF |
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_a10.1515/9780691203768 _2doi |
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| 035 | _a(DE-B1597)9780691203768 | ||
| 035 | _a(DE-B1597)545485 | ||
| 035 | _a(OCoLC)1145090313 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aPR508 | |
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_aLIT014000 _2bisacsh |
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| 082 | 0 | 4 |
_a808.1 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aMcAlpine, Erica _eautore |
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| 245 | 1 | 4 |
_aThe Poet's Mistake / _cErica McAlpine. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2020] |
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| 264 | 4 | _c©2020 | |
| 300 | _a1 online resource (297 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tAcknowledgments -- _tIntroduction. The Poet’s Mistake -- _tChapter 1. Wordsworth’s Imperfect Perfect -- _tChapter 2. Robert Browning’s Bad Habit -- _tChapter 3. Wondering about John Clare -- _tChapter 4. Emily Dickinson’s Eloquent Lies -- _tChapter 5. Hart Crane’s Wrapture -- _tChapter 6. Fact-Checking Elizabeth Bishop -- _tChapter 7. Misremembering Seamus Heaney -- _tConclusion. Mistaking on Purpose -- _tNotes -- _tWorks Cited -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aWhat our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 |
_aAmerican poetry _xHistory and criticism. |
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| 650 | 0 |
_aEnglish poetry _xHistory and cricitism. |
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| 650 | 0 |
_aErrors and blunders, Literary _xHistory. |
|
| 650 | 0 | _aErrors and blunders, Literary. | |
| 650 | 0 |
_aPoetry _xAuthorship. |
|
| 650 | 7 |
_aLITERARY CRITICISM / Poetry. _2bisacsh |
|
| 653 | _aAnxiety of Influence. | ||
| 653 | _aChristopher Ricks. | ||
| 653 | _aElizabeth Bishop. | ||
| 653 | _aEmily Dickinson. | ||
| 653 | _aForce of Poetry. | ||
| 653 | _aFrank Kermode. | ||
| 653 | _aGeoffrey Hill. | ||
| 653 | _aHarold Bloom. | ||
| 653 | _aHart Crane. | ||
| 653 | _aJohn Ashbery. | ||
| 653 | _aJohn Clare. | ||
| 653 | _aJohn Fuller. | ||
| 653 | _aJohn Keats. | ||
| 653 | _aJohn Sutherland. | ||
| 653 | _aLiterature and Matters of Fact. | ||
| 653 | _aMichael Anesko. | ||
| 653 | _aNerys Williams. | ||
| 653 | _aPaul Muldoon. | ||
| 653 | _aRobert Browning. | ||
| 653 | _aRomantic poetry. | ||
| 653 | _aSeamus Heaney. | ||
| 653 | _aSeth Lerer. | ||
| 653 | _aUses of Error. | ||
| 653 | _aWho Framed Elizabeth Bennet. | ||
| 653 | _aWho is Ozymandias. | ||
| 653 | _aWilliam Wordsworth. | ||
| 653 | _acontemporary poetry. | ||
| 653 | _aerrors. | ||
| 653 | _aliterary criticism. | ||
| 653 | _aliterary history. | ||
| 653 | _amisprision. | ||
| 653 | _amodernist poetry. | ||
| 653 | _apoetry criticism. | ||
| 653 | _atypos. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780691203768?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780691203768 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691203768/original |
| 942 | _cEB | ||
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_c194808 _d194808 |
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