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|---|---|---|---|
| 001 | 194926 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232818.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 221201t20212021nju fo d z eng d | ||
| 010 | _a2020044605 | ||
| 020 | _a9780691211176 _qPDF | ||
| 024 | 7 | _a10.1515/9780691211176 _2doi | |
| 035 | _a(DE-B1597)9780691211176 | ||
| 035 | _a(DE-B1597)576396 | ||
| 035 | _a(OCoLC)1266228022 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 0 | 0 | _aPA6825 | 
| 050 | 4 | _aPA6825 | |
| 072 | 7 | _aLIT004190 _2bisacsh | |
| 082 | 0 | 4 | _a873/.01 _223 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aFarrell, Joseph _eautore | |
| 245 | 1 | 0 | _aJuno's Aeneid : _bA Battle for Heroic Identity / _cJoseph Farrell. | 
| 264 | 1 | _aPrinceton, NJ : _bPrinceton University Press, _c[2021] | |
| 264 | 4 | _c©2021 | |
| 300 | _a1 online resource (384 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 490 | 0 | _aMartin Classical Lectures ; _v1 | |
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tAcknowledgments -- _tA Note to the Reader -- _tIntroduction -- _t1. Arms and a Man -- _t2. Third Ways -- _t3. Reading Aeneas -- _tAppendix: mene in-and mênin -- _tWorks Cited -- _tIndex of Passages Cited -- _tGeneral Index -- _tA NOTE ON THE TYPE | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aA major new interpretation of Vergil's epic poem as a struggle between two incompatible versions of the Homeric heroThis compelling book offers an entirely new way of understanding the Aeneid. Many scholars regard Vergil's poem as an attempt to combine Homer’s Iliad and Odyssey into a single epic. Joseph Farrell challenges this view, revealing how the Aeneid stages an epic contest to determine which kind of story it will tell—and what kind of hero Aeneas will be.Farrell shows how this contest is provoked by the transgressive goddess Juno, who challenges Vergil for the soul of his hero and poem. Her goal is to transform the poem into an Iliad of continuous Trojan persecution instead of an Odyssey of successful homecoming. Farrell discusses how ancient critics considered the flexible Odysseus the model of a good leader but censured the hero of the Iliad, the intransigent Achilles, as a bad one. He describes how the battle over which kind of leader Aeneas will prove to be continues throughout the poem, and explores how this struggle reflects in very different ways on the ethical legitimacy of Rome’s emperor, Caesar Augustus.By reframing the Aeneid in this way, Farrell demonstrates how the purpose of the poem is to confront the reader with an urgent decision between incompatible possibilities and provoke uncertainty about whether the poem is a celebration of Augustus or a melancholy reflection on the discontents of a troubled age. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | _aEpic poetry, Latin _xHistory and criticism. | |
| 650 | 0 | _aHomer-Influence. | |
| 650 | 7 | _aLITERARY CRITICISM / Ancient & Classical. _2bisacsh | |
| 653 | _aAgamemnon. | ||
| 653 | _aApollonius. | ||
| 653 | _aCallimachus. | ||
| 653 | _aGreek art. | ||
| 653 | _aGreek heroes. | ||
| 653 | _aGreek literature. | ||
| 653 | _aHomeric Greek. | ||
| 653 | _aIlium. | ||
| 653 | _aLatin literature. | ||
| 653 | _aPenelope. | ||
| 653 | _aPublius Vergilius Maro. | ||
| 653 | _aRoman art. | ||
| 653 | _aRoman history. | ||
| 653 | _aRoman literature. | ||
| 653 | _aTelemachus. | ||
| 653 | _aTrojan War. | ||
| 653 | _aTroy. | ||
| 653 | _aVirgil. | ||
| 653 | _aclassics. | ||
| 653 | _acomedy. | ||
| 653 | _adissent. | ||
| 653 | _aepic cycle. | ||
| 653 | _aepic poetry. | ||
| 653 | _aethical philosophy. | ||
| 653 | _aintertextuality. | ||
| 653 | _akingship theory. | ||
| 653 | _ametapoetics. | ||
| 653 | _aopposition. | ||
| 653 | _apolitics. | ||
| 653 | _atragedy and comedy. | ||
| 653 | _atragedy. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780691211176?locatt=mode:legacy | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780691211176 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691211176/original | 
| 942 | _cEB | ||
| 999 | _c194926 _d194926 | ||