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008 210830t20211995nju fo d z eng d
020 _a9780691215884
_qPDF
024 7 _a10.1515/9780691215884
_2doi
035 _a(DE-B1597)9780691215884
035 _a(DE-B1597)566912
035 _a(OCoLC)1248759746
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aMUS006000
_2bisacsh
082 0 4 _a780.9/2
084 _aonline - DeGruyter
100 1 _aBurnham, Scott
_eautore
245 1 0 _aBeethoven Hero /
_cScott Burnham.
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2021]
264 4 _c©1995
300 _a1 online resource (400 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tCONTENTS --
_tACKNOWLEDGMENTS --
_tINTRODUCTION --
_tA NOTE TO THE READER --
_tBEETHOVEN HERO --
_tCHAPTER ONE Beethoven's Hero --
_tCHAPTER TWO Musical Values: Presence and Engagement in the Heroic Style --
_tCHAPTER THREE Institutional Values: Beethoven and the Theorists --
_tCHAPTER FOUR Cultural Values: Beethoven, the Goethezeit, and the Heroic Concept of Self --
_tCHAPTER FIVE Beethoven Hero --
_tNOTES --
_tBIBLIOGRAPHY --
_tINDEX
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aBringing together reception history, music analysis and criticism, the history of music theory, and the philosophy of music, Beethoven Hero explores the nature and persistence of Beethoven's heroic style. What have we come to value in this music, asks Scott Burnham, and why do generations of critics and analysts hear it in much the same way? Specifically, what is it that fosters the intensity of listener engagement with the heroic style, the often overwhelming sense of identification with its musical process? Starting with the story of heroic quest heard time and again in the first movement of the Eroica Symphony, Burnham suggests that Beethoven's music matters profoundly to its listeners because it projects an empowering sense of self, destiny, and freedom, while modeling ironic self-consciousness. In addition to thus identifying Beethoven's music as an overarching expression of values central to the age of Goethe and Hegel, the author describes and then critiques the process by which the musical values of the heroic style quickly became the controlling model of compositional logic in Western music criticism and analysis. Apart from its importance for students of Beethoven, this book will appeal to those interested in canon formation in the arts and in music as a cultural, ethical, and emotional force--and to anyone concerned with what we want from music and what music does for us.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650 0 _aMusic audiences.
650 7 _aMUSIC / Genres & Styles / Classical.
_2bisacsh
653 _aAbbate, Carolyn.
653 _aAdorno, Theodor.
653 _aBeethoven Hero.
653 _aBildungsroman.
653 _aCone, Edward T.
653 _aDahlhaus, Carl.
653 _aEroica Symphony.
653 _aFifth Symphony.
653 _aForchert, Arno.
653 _aGreene, David B.
653 _aHalm, August.
653 _aHomer.
653 _aHyer, Brian.
653 _aIliad.
653 _aKnittel, Kristin M.
653 _aKretzschmar, Hermann.
653 _aLenz, Wilhelm von.
653 _aLorenz, Alfred.
653 _aMann, Thomas.
653 _aMcClary, Susan.
653 _aOster, Ernst.
653 _aRatner, Leonard.
653 _aRiemann, Hugo.
653 _aRosen, Charles.
653 _aSchering, Arnold.
653 _aSchleuning, Peter.
653 _aTovey, Donald Francis.
653 _acanon, in music.
653 _adiegesis.
653 _aergon.
653 _airony.
653 _anarration, in music.
653 _aprotagonist, dramatic.
653 _asonata form.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780691215884?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780691215884
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9780691215884.jpg
942 _cEB
999 _c195111
_d195111