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| 001 | 195366 | ||
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| 005 | 20221214232837.0 | ||
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| 008 | 221107t20201993nju fo d z eng d | ||
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_a9780691222059 _qPDF |
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| 024 | 7 |
_a10.1515/9780691222059 _2doi |
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| 035 | _a(DE-B1597)9780691222059 | ||
| 035 | _a(DE-B1597)572604 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 0 | 0 | _aPN1998.3.L83 |
| 050 | 4 | _aPN1998.3.L83 | |
| 072 | 7 |
_aPER004030 _2bisacsh |
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| 082 | 0 | 4 | _a791.430233092 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aHake, Sabine _eautore |
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| 245 | 1 | 0 |
_aPassions and Deceptions : _bThe Early Films of Ernst Lubitsch / _cSabine Hake. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2020] |
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| 264 | 4 | _c©1993 | |
| 300 | _a1 online resource (232 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tContents -- _tIllustrations -- _tIntroduction -- _tPart I THE EARLY LUBITSCHAN OVERVIEW -- _tOne. From Comic Actor to Film Director, 1914—1918 -- _tTwo. The German Feature Films, 1918—1922 -- _tThree. Hollywood—The Silent Films, 1923-1929 -- _tFour. The American Sound Films, 1929-1932 -- _tPart II FILM ANALYSES -- _tFive. Wayward Women: The Oyster Princess, The Doll, and The Mountain Cat -- _tSix. The Period Film as Palimpsest: On Passion and Deception -- _tSeven. The Tyranny of Vision: So This Is Paris and Others -- _tEight. Exploring the Boundaries of Sound: Monte Carlo -- _tNine. The Object, the Image, the Cinema: Trouble in Paradise -- _tAfterword -- _tSelect Bibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aA collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So This Is Paris and Trouble in Paradise. In a general introduction to his silent and early sound films (1914-1932) and in close readings of his comedies, Sabine Hake focuses on the visual strategies Lubitsch used to convey irony and analyzes his contribution to the rise of classical narrative cinema. Exploring Lubitsch's depiction of femininity and the influence of his early German films on his entire career, she argues that his comedies represent an important outlet for dealing with sexual and cultural differences. The readings cover The Oyster Princess, The Doll, The Mountain Cat, Passion, Deception, So This Is Paris, Monte Carlo, and Trouble in Paradise, which are interpreted as part of an underlying process of negotiation between different modes of representation, narration, and spectatorship--a process that comprises the conditions of production in two different national cinemas and the ongoing changes in film technology. Drawing attention to Lubitsch's previously neglected German films, this book presents the years until 1922 as the formative period in his career. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) | |
| 650 | 0 |
_aSilent films _xHistory and criticism _xGermany. |
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| 650 | 0 |
_aSilent films _zGermany _xHistory and criticism. |
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| 650 | 7 |
_aPERFORMING ARTS / Film & Video / History & Criticism. _2bisacsh |
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| 653 | _aAngel. | ||
| 653 | _aAnna Boleyn. | ||
| 653 | _aAusternprinzessin, Die. | ||
| 653 | _aBerger, Ludwig. | ||
| 653 | _aBergkatze, Die. | ||
| 653 | _aBlind Husbands. | ||
| 653 | _aBoese, Carl. | ||
| 653 | _aBourget, Jean-Loup. | ||
| 653 | _aBuchanan, Jack. | ||
| 653 | _aBuchowetzki, Dimitri. | ||
| 653 | _aCapra, Frank. | ||
| 653 | _aCarmen. | ||
| 653 | _aChevalier, Maurice. | ||
| 653 | _aColbert, Claudette. | ||
| 653 | _aCorliss, Richard. | ||
| 653 | _aDanton. | ||
| 653 | _aDavidson, Paul. | ||
| 653 | _aDesign for Living. | ||
| 653 | _aDingelmann, Wilhelm. | ||
| 653 | _aDoane, Mary Ann. | ||
| 653 | _aDreier, Hans. | ||
| 653 | _aDurgnat, Raymond. | ||
| 653 | _aEbert, Friedrich. | ||
| 653 | _aEisenstein, Sergei. | ||
| 653 | _aEisner, Lotte. | ||
| 653 | _aFall, Leo. | ||
| 653 | _aForbidden Paradise. | ||
| 653 | _aFord, John. | ||
| 653 | _aFroelich, Carl. | ||
| 653 | _aFräulein Seifenschaum. | ||
| 653 | _aGenuine. | ||
| 653 | _aGrafe, Frieda. | ||
| 653 | _aGregor, Ulrich. | ||
| 653 | _aHallelujah. | ||
| 653 | _aHasenclever, Walter. | ||
| 653 | _aHintertreppe. | ||
| 653 | _aHufF, Theodore. | ||
| 653 | _aIf I Had a Million. | ||
| 653 | _aIntolerance. | ||
| 653 | _aIser, Wolfgang. | ||
| 653 | _aJacobs, Lewis. | ||
| 653 | _aJanson, Victor. | ||
| 653 | _aKracauer, Siegfried. | ||
| 653 | _aLang, Fritz. | ||
| 653 | _aLombard, Carole. | ||
| 653 | _aMonsieur Beaucaire. | ||
| 653 | _aNegri, Pola. | ||
| 653 | _aOssis Tagebuch. | ||
| 653 | _aOswalda, Ossi. | ||
| 653 | _aPorten, Henny. | ||
| 653 | _aRausch. | ||
| 653 | _aRéveillon. | ||
| 653 | _aShearer, Norma. | ||
| 653 | _aTannenbaum, Eugen. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780691222059?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780691222059 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691222059/original |
| 942 | _cEB | ||
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_c195366 _d195366 |
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