| 000 | 05982nam a22011535i 4500 | ||
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| 001 | 195508 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232844.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20221998nju fo d z eng d | ||
| 010 | _a2021701039 | ||
| 020 |
_a9780691225326 _qPDF |
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| 024 | 7 |
_a10.1515/9780691225326 _2doi |
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| 035 | _a(DE-B1597)9780691225326 | ||
| 035 | _a(DE-B1597)576270 | ||
| 035 | _a(OCoLC)1312727426 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 0 | 0 | _aPN1992.8.D6 |
| 050 | 4 |
_aPN1992.8.D6 _bD69 1998eb |
|
| 072 | 7 |
_aSOC002000 _2bisacsh |
|
| 082 | 0 | 4 |
_a791.45/75 _222 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aDornfeld, Barry _eautore |
|
| 245 | 1 | 0 |
_aProducing Public Television, Producing Public Culture / _cBarry Dornfeld. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2022] |
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| 264 | 4 | _c©1998 | |
| 300 |
_a1 online resource (250 p.) : _b40 halftones 2 charts |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tChapter One. Studying Public Television as American Public Culture -- _tChapter Two. Childhood on the Contested Territory of Public Television in the United States -- _tChapter Three Negotiating Documentary Production: Authorship and Imagined Audiences -- _tChapter Four. Public Television Documentary Poetics -- _tChapter Five Cutting across Cultures: Public Television Documentary and Representations of Otherness -- _tChapter Six Public Television Documentary and the Mediation of American Public Culture -- _tAppendix A. Organizational Chart of the Childhood Staff -- _tAppendix B. List of Academic Observers and Advisors -- _tAppendix C. Synopsis of the Childhood Series -- _tNotes -- _tReferences -- _tFilmography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aFrom 1989 to 1991, Barry Dornfeld had an unusual double role on the crew of the major PBS documentary series Childhood. As a researcher for the series, he investigated the relationship between children and media. As an anthropologist, however, his subject was the television production process itself--examining, for example, how producers developed the series, negotiated with their academic advisors, and shaped footage shot around the world into seven programs. He presents the results of his fieldwork in this groundbreaking study--one of the first to take an ethnographic approach to the production of a television show, as opposed to its reception. Dornfeld begins with a broad discussion of public television's role in American culture and goes on to examine documentaries as a form of popular anthropology. Drawing on his observations of Childhood, he considers the documentary form as a kind of "imagining," in which both producers and viewers construct understandings of themselves and others, revealing their conceptions of culture and history and their ideologies of cultural difference and universality. He argues that producers of culture should also be understood as consumers who conduct their work through an active envisioning of the audience. Dornfeld explores as well how intellectual media professionals struggle with the institutional and cultural forces surrounding television that promote entertainment at the expense of education. The book provides a rare glimpse behind the scenes of a major documentary and demonstrates the value of an ethnographic approach to the study of media production. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 |
_aDocumentary television programs _xProduction and direction. |
|
| 650 | 0 | _aPublic television. | |
| 650 | 7 |
_aSOCIAL SCIENCE / Anthropology / General. _2bisacsh |
|
| 653 | _aAmbrose Video. | ||
| 653 | _aAntelope Films. | ||
| 653 | _aAries, Phillipe. | ||
| 653 | _aArlen, Michael. | ||
| 653 | _aAufderheide, Pat. | ||
| 653 | _aBaka family. | ||
| 653 | _aBosk, Charles. | ||
| 653 | _aBourdieu, Pierre. | ||
| 653 | _aBriggs, Charles. | ||
| 653 | _aCleveland Plain Dealer. | ||
| 653 | _aGinsburg, Faye. | ||
| 653 | _aHall, Stuart. | ||
| 653 | _aIslamic education. | ||
| 653 | _aJocelin, Elizabeth. | ||
| 653 | _aKirkpatrick. | ||
| 653 | _aLawson, Jennifer. | ||
| 653 | _aMarcus, George. | ||
| 653 | _aNakayama family. | ||
| 653 | _aNewsweek review. | ||
| 653 | _aOliveira. | ||
| 653 | _aPublic Broadcasting Act. | ||
| 653 | _aQuranic school. | ||
| 653 | _aRoss, Andrew. | ||
| 653 | _aRuby, Jay. | ||
| 653 | _aSagan, Carl. | ||
| 653 | _aSchieffelin, Bambi. | ||
| 653 | _aSilverstone, Roger. | ||
| 653 | _aUrban, Greg. | ||
| 653 | _aVeraldi, Lorna. | ||
| 653 | _aWild Child. | ||
| 653 | _aagency. | ||
| 653 | _acable television. | ||
| 653 | _acultural difference. | ||
| 653 | _aeditors. | ||
| 653 | _aethno-theory. | ||
| 653 | _aevolutionism. | ||
| 653 | _afamily footage. | ||
| 653 | _afund-raising. | ||
| 653 | _agenre theory. | ||
| 653 | _ahistory in Childhood. | ||
| 653 | _ainterviews. | ||
| 653 | _amiddlebrow. | ||
| 653 | _amulticulturalism. | ||
| 653 | _anarrative. | ||
| 653 | _aotherness. | ||
| 653 | _aproduction value. | ||
| 653 | _apublic television. | ||
| 653 | _asubtitles. | ||
| 653 | _asymbolic capital. | ||
| 653 | _atelevisual humanism. | ||
| 653 | _atitle sequences. | ||
| 653 | _avisual anthropology. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780691225326?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780691225326 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691225326/original |
| 942 | _cEB | ||
| 999 |
_c195508 _d195508 |
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