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008			210830t20211997nju fo d z eng d
020			_a9780691234649 _qPDF
024	7		_a10.1515/9780691234649 _2doi
035			_a(DE-B1597)9780691234649
035			_a(DE-B1597)589766
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aGN347 _b.P66 1997eb
072		7	_aSOC002000 _2bisacsh
082	0	4	_a305.8/0098 _222
084			_aonline - DeGruyter
100	1		_aPoole, Deborah _eautore
245	1	0	_aVision, Race, and Modernity : _bA Visual Economy of the Andean Image World / _cDeborah Poole.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2021]
264		4	_c©1997
300			_a1 online resource (272 p.) : _b75 halftones
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aPrinceton Studies in Culture/Power/History ; _v13
505	0	0	_tFrontmatter -- _tContents -- _tList of Illustrations -- _tAcknowledgments -- _tVISION, RACE, AND MODERNITY -- _tChapter One Introduction -- _tChapter Two The Inca Operatic -- _tChapter Three An Economy of Vision -- _tChapter Four A One-Eyed Gaze -- _tChapter Five Equivalent Images -- _tChapter Six The Face of a Nation -- _tChapter Seven The New Indians -- _tChapter Eight Negotiating Modernity -- _tNotes -- _tReferences -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThrough an intensive examination of photographs and engravings from European, Peruvian, and U.S. archives, Deborah Poole explores the role visual images and technologies have played in shaping modern understandings of race. Vision, Race, and Modernity traces the subtle shifts that occurred in European and South American depictions of Andean Indians from the late eighteenth to the early twentieth centuries, and explains how these shifts led to the modern concept of "racial difference." While Andean peoples were always thought of as different by their European describers, it was not until the early nineteenth century that European artists and scientists became interested in developing a unique visual and typological language for describing their physical features. Poole suggests that this "scientific" or "biological" discourse of race cannot be understood outside a modern visual economy. Although the book specifically documents the depictions of Andean peoples, Poole's findings apply to the entire colonized world of the nineteenth century. Poole presents a wide range of images from operas, scientific expeditions, nationalist projects, and picturesque artists that both effectively elucidate her argument and contribute to an impressive history of photography. Vision, Race, and Modernity is a fascinating attempt to study the changing terrain of racial theory as part of a broader reorganization of vision in European society and culture.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aIndians of South America _zAndes Region _vPictorial works _xHistory.
650		0	_aPhotography in ethnology _zAndes Region _xHistory.
650		0	_aRace _xPictorial works _xHistory.
650		0	_aVisual anthropology _zAndes Region.
650		7	_aSOCIAL SCIENCE / Anthropology / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780691234649?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780691234649
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780691234649.jpg
942			_cEB
999			_c195764 _d195764