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003 IT-RoAPU
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008 220629t20222005stk fo d z eng d
020 _a9780748617470
_qprint
020 _a9780748628780
_qPDF
024 7 _a10.1515/9780748628780
_2doi
035 _a(DE-B1597)9780748628780
035 _a(DE-B1597)615599
035 _a(OCoLC)1076626931
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004000
_2bisacsh
082 0 4 _a791.436164
_222
084 _aonline - DeGruyter
100 1 _aPowell, Anna
_eautore
245 1 0 _aDeleuze and Horror Film /
_cAnna Powell.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2005
300 _a1 online resource (240 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgements --
_tIntroduction: New Directions in Horror Film Studies --
_tCHAPTER 1 From Psychoanalysis to Schizoanalysis: An Intensive Voyage --
_tCHAPTER 2 Becoming Anomalous and the Body-Without-Organs --
_tCHAPTER 3 The Movement-Image: Horror Cinematography and Mise-en-scène --
_tCHAPTER 4 Horror Time --
_tConclusion: Living Horror: Thoughts On Our Nerve-Endings --
_tGlossary of Key Terms --
_tBibliography --
_tFilmography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThe horror film analysed from a Deleuzian perspective.This book argues that dominant psychoanalytic approaches to horror films neglect the aesthetics of horror. Yet cinematic devices such as mise en scène, editing and sound, are central to the viewer's visceral fear and arousal. Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'.The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics. These include: subjectivity/becoming, the body without organs, molecularity, time/duration, affect, movement/rhythm, space, anomaly and schizoanalysis. These concepts are then applied to horror films.Themes such as insanity, sensory response to film, the subject/object, fractured time, the body and cinematography are explored in horror films such as Jacob's Ladder, Dr Jekyll and Mr Hyde, Psycho, Silence of the Lambs, The Fly, A Nightmare on Elm Street, Alien Resurrection, The Others, The Shining, Interview with the Vampire, Bram Stoker's Dracula and Nosferatu.Key FeaturesA substantial new contribution to horror film theory A critical introduction to key terms in Deleuzian philosophy and aesthetics New readings of the classic horror canon and recent films Analysis of horror styles, narrative and special effects.Deleuze and Horror Film was originally published in hardback in March 2005. The paperback edition was published in November 2006.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650 0 _aHorror films
_xHistory and criticism.
650 4 _aFilm, Media & Cultural Studies.
650 7 _aPERFORMING ARTS / Film & Video / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780748628780?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780748628780
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780748628780/original
942 _cEB
999 _c196032
_d196032