| 000 | 03326nam a22005295i 4500 | ||
|---|---|---|---|
| 001 | 196052 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232910.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20222007stk fo d z eng d | ||
| 020 |
_a9780748619887 _qprint |
||
| 020 |
_a9780748629091 _qPDF |
||
| 024 | 7 |
_a10.1515/9780748629091 _2doi |
|
| 035 | _a(DE-B1597)9780748629091 | ||
| 035 | _a(DE-B1597)614925 | ||
| 035 | _a(OCoLC)1306539792 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 072 | 7 |
_aSOC022000 _2bisacsh |
|
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aGair, Christopher _eautore |
|
| 245 | 1 | 4 |
_aThe American Counterculture / _cChristopher Gair. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
|
| 264 | 4 | _c©2007 | |
| 300 | _a1 online resource (240 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIntroduction -- _tPart One:1945-1960 -- _tPart Two:1961-1972 -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aThe American counterculture played a major role during a pivotal moment in American history. Post-War prosperity combined with the social and political repression characteristic of middle-class life to produce both widespread civil disobedience and artistic creativity in the Baby Boomer generation.This introduction explores the relationship between the counterculture and American popular culture. It looks at the ways in which Hollywood and corporate record labels commodified and adapted countercultural texts, and the extent to which countercultural artists and their texts were appropriated. It offers an interdisciplinary account of the economic and social reasons for the emergence of the counterculture, and an appraisal of the key literary, musical, political and visual texts which were seen to challenge dominant ideologies.Key Features:*examines the ways in which texts were seen to be countercultural*assesses the extent to which they represented real opposition to cultural orthodoxies*scrutinises the notion of the counterculture*examines the limits to and achievements of the counterculture*places key countercultural figures and texts in context of the shifting wider social and political climate of the United States*uses case studies to illuminate the text. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 |
_aArts américains _x20e siècle. |
|
| 650 | 0 |
_aContre-culture _xHistoire _x20e siècle _xÉtats-Unis. |
|
| 650 | 0 |
_aCounterculture _xUnited States. |
|
| 650 | 0 |
_aCulture populaire _xHistoire _x20e siècle _xÉtats-Unis. |
|
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aSOCIAL SCIENCE / Popular Culture. _2bisacsh |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780748629091?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780748629091 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748629091/original |
| 942 | _cEB | ||
| 999 |
_c196052 _d196052 |
||