000			05217nam a22006855i 4500
001			196116
003			IT-RoAPU
005			20221214232913.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			220302t20222006stk fo d z eng d
020			_a9780748623501 _qprint
020			_a9780748630080 _qPDF
024	7		_a10.1515/9780748630080 _2doi
035			_a(DE-B1597)9780748630080
035			_a(DE-B1597)614315
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPR3093 _b.S37 2006
072		7	_aLIT015000 _2bisacsh
082	0	4	_a822.33
084			_aonline - DeGruyter
100	1		_aThornton Burnett, Mark _eautore
245	1	0	_aScreening Shakespeare in the Twenty-First Century / _cMark Thornton Burnett.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2006
300			_a1 online resource (224 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgements -- _tIntroduction -- _t1 'If I'm right': Michael Wood's In Search of Shakespeare -- _t2 'I see my father' in 'my mind's eye': Surveillance and the Filmic Hamlet -- _t3 Backstage Pass(ing): Stage Beauty, Othello and the Make-up of Race -- _t4 The Postnostalgic Renaissance: The 'Place' of Liverpool in Don Boyd's My Kingdom -- _t5 Our Shakespeares: British Television and the Strains of Multiculturalism -- _t6 Looking for Shylock: Stephen Greenblatt, Michael Radford and Al Pacino -- _t7 Speaking Māori Shakespeare: The Maori Merchant of Venice and the Legacy of Colonisation -- _t8 'Into a thousand parts divide one man': Dehumanised Metafiction and Fragmented Documentary in Peter Babakitis' Henry V -- _t9 Screening the McShakespeare in Post-Millennial Shakespeare Cinema -- _t10 Shakespeare and the Singletons, or, Beatrice Meets Bridget Jones: Post-Feminism, Popular Culture and 'Shakespea(Re)-Told' -- _tNotes on Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aGBS_insertPreviewButtonPopup('ISBN:9780748623518);This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC 'Shakespea(Re)-Told' season, from Michael Radford's The Merchant of Venice to Peter Babakitis' Henry V. In addition to offering in-depth analyses of all the major productions, Screening Shakespeare in the Twenty-First Century includes reflections upon the less well-known filmic 'Shakespeares', which encompass cinema advertisements, appropriations, post-colonial reinventions and mass media citations, and which move across and between genres and mediums. Arguing that Shakespeare is a magnet for negotiations about style, value and literary authority, the essays contend that screen reinterpretations of England's most famous dramatist simultaneously address concerns centred upon nationality and ethnicity, gender and romance, and 'McDonaldisation' and the political process, thereby constituting an important intervention in the debates of the new century. As a result, through consideration of such offerings as the Derry Film Initiative Hamlet, the New Zealand The Maori Merchant of Venice and the television documentary In Search of Shakespeare, this collection is able to assess as never before the continuing relevance of Shakespeare in his local and global screen incarnations.Key Features:Only collection like it on the market, bringing the subject up to date.Twenty-first century focus and international coverage.Innovative discussion of a wide range of films and television.Accessibly written for students and general readers."
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aEnglish drama _vFilm adaptations _vCongresses.
650		0	_aEnglish drama _xFilm adaptations _xCongresses.
650		0	_aFilm adaptations _xCongresses _xHistory and criticism.
650		0	_aFilm adaptations _xHistory and criticism _vCongresses.
650		4	_aLiterary Studies.
650		7	_aLITERARY CRITICISM / Shakespeare. _2bisacsh
700	1		_aBurnett, Mark Thornton _eautore
700	1		_aBurt, Richard _eautore
700	1		_aCrowl, Samuel _eautore
700	1		_aDutton, Richard _eautore
700	1		_aGreenhalgh, Susanne _eautore
700	1		_aHatchuel, Sarah _eautore
700	1		_aJess-Cooke, Carolyn _eautore
700	1		_aLehmann, Courtney _eautore
700	1		_aShaughnessy, Robert _eautore
700	1		_aSilverstone, Catherine _eautore
700	1		_aWray, Ramona _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780748630080
856	4	0	_uhttps://www.degruyter.com/isbn/9780748630080
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748630080/original
942			_cEB
999			_c196116 _d196116