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001			196261
003			IT-RoAPU
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008			220629t20222009stk fo d z eng d
020			_a9780748632893 _qprint
020			_a9780748632527 _qPDF
024	7		_a10.1515/9780748632527 _2doi
035			_a(DE-B1597)9780748632527
035			_a(DE-B1597)615419
035			_a(OCoLC)1306540008
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPER004030 _2bisacsh
084			_aonline - DeGruyter
100	1		_aBurton, Alan _eautore
245	1	4	_aThe Cinema of Basil Dearden and Michael Relph / _cAlan Burton, Tim O'Sullivan.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2009
300			_a1 online resource (376 p.) : _b41 B/W illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgements -- _tForeword -- _tBiography and Career Notes -- _tIntroduction: ‘Two on a Tandem’? Dearden and Relph: Authorship and British Cinema -- _t1. Apprenticeship and Beyond: Comedy Traditions and Film Design -- _t2. The Formative Period: The War Years and the Ethos of Ealing -- _t3. Dramas of Masculine Adjustment I: Tragic Melodramas -- _t4. Dramas of Masculine Adjustment II: Men in Action -- _t5. Dramas of Social Tension and Adjustment -- _t6. Ethical Dilemmas -- _t7. The International Years -- _tAppendix: ‘Inside Ealing’: Michael Relph -- _tFilmography -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aGBS_insertPreviewButtonPopup('ISBN:9780748632893);This book offers the first full systematic assessment and evaluation of the cinema of this important filmmaking partnership. Dearden and Relph came together at the famous Ealing Studios in the wartime period and became the most prolific production team at the studio, contributing such popular and critically acclaimed films as The Captive Heart (1946), The Blue Lamp (1950) and Pool of London (1951). Later in the 1950s, Dearden and Relph branched out into independent production and became particularly associated with a cycle of controversial social problem films that included Sapphire (1959) and Victim (1961).This new study takes an extensive view of the cinema of Basil Dearden and Michael Relph. It considers in detail their contribution to the celebrated achievements of wartime cinema at Ealing, brings a new focus to their post-war films that addressed masculine adjustment in a period of rapid change, takes a fresh look at the prominent group of social problem films within their work, and offers an original study of their later period of filmmaking for the international market in the 1960s. Attention is also given to the significant place of comedy in their cinema and Michael Relph's considerable achievements as an art director. The book will be of interest to all students of film history and a general readership that takes a keen interest in British cinema."
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aMotion pictures _zGreat Britain _xHistory _y20th century.
650		4	_aFilm, Media & Cultural Studies.
650		7	_aPERFORMING ARTS / Film & Video / History & Criticism. _2bisacsh
700	1		_aBurton, Alan _eautore
700	1		_aDearden, James _eautore
700	1		_aO'Sullivan, Tim _eautore
700	1		_aO’Sullivan, Tim _eautore
700	1		_aRelph, Simon _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780748632527?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780748632527
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748632527/original
942			_cEB
999			_c196261 _d196261