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020 _a9780748634767
_qprint
020 _a9780748634781
_qPDF
024 7 _a10.1515/9780748634781
_2doi
035 _a(DE-B1597)9780748634781
035 _a(DE-B1597)616068
035 _a(OCoLC)1302163042
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aSOC022000
_2bisacsh
082 0 4 _a791.436
_223
084 _aonline - DeGruyter
100 1 _aCreekmur, Corey
_eautore
245 1 4 _aThe International Film Musical /
_cCorey Creekmur, Linda Mokdad.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2012
300 _a1 online resource (288 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aTraditions in World Cinema : TWC
505 0 0 _tFrontmatter --
_tCONTENTS --
_tAcknowledgements --
_tNotes on Contributors --
_tTRADITIONS IN WORLD CINEMA --
_tIntroduction --
_tPART I: EUROPE --
_tPART II: LATIN AMERICA --
_tPART III: ASIA --
_tPART IV: THE MIDDLE EAST --
_tPART V: HOLLYWOOD AND THE WORLD --
_tCoda . The Musical as International Genre: Reading Notes --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis is a comparative consideration of the musical's role within national cinema traditions. While the musical is one cinema's few genuinely international genres, it has often functioned as an explicitly local or national form, drawing upon distinct traditions understood as 'native' rather than 'international'. Simultaneously, musicals from around the world have often imitated Hollywood models, resulting in their easy dismissal as culturally 'impure' and demonstrating the creative and ideological tension between promoting and abandoning traditional cultural forms and styles. This productive tension between local and global elements lies at the heart of international film musicals, which typically acknowledge the dominant Hollywood model while claiming their own cultural specificity.Key FeaturesIndividual chapters provide succinct historical and critical discussions of musicals from fifteen major national film traditions, along with the transnational musical.A coda by Rick Altman, one of the genre's most prominent scholars. Lists of key resources offer teachers and students additional information.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650 0 _aMusical films
_xHistory and criticism.
650 4 _aFilm, Media & Cultural Studies.
650 7 _aSOCIAL SCIENCE / Popular Culture.
_2bisacsh
700 1 _aAltman, Rick
_eautore
700 1 _aAscheid, Antje
_eautore
700 1 _aConway, Kelley
_eautore
700 1 _aCreekmur, Corey K.
_eautore
700 1 _aErdogan, Nezih
_eautore
700 1 _aGerow, Aaron
_eautore
700 1 _aLawrence, Michael
_eautore
700 1 _aLópez, Ana M.
_eautore
700 1 _aMarlow-Mann, Alex
_eautore
700 1 _aMokdad, Linda
_eautore
700 1 _aMokdad, Linda Y.
_eautore
700 1 _aMundy, John
_eautore
700 1 _aNorðfjörð, Björn
_eautore
700 1 _aPapadimitriou, Lydia
_eautore
700 1 _aShaw, Lisa
_eautore
700 1 _aSánchez Alarcón, Inmaculada
_eautore
700 1 _aTaylor, Richard
_eautore
700 1 _aVieira, João Luiz
_eautore
700 1 _aYueh-yu Yeh, Emilie
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780748634781
856 4 0 _uhttps://www.degruyter.com/isbn/9780748634781
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780748634781/original
942 _cEB
999 _c196308
_d196308