| 000 | 05473nam a22006495i 4500 | ||
|---|---|---|---|
| 001 | 196314 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232920.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20222009stk fo d z eng d | ||
| 020 |
_a9780748635092 _qprint |
||
| 020 |
_a9780748635108 _qPDF |
||
| 024 | 7 |
_a10.1515/9780748635108 _2doi |
|
| 035 | _a(DE-B1597)9780748635108 | ||
| 035 | _a(DE-B1597)614543 | ||
| 035 | _a(OCoLC)1302166332 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 072 | 7 |
_aLIT000000 _2bisacsh |
|
| 082 | 0 | 4 |
_a820.900914 _222 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBluemel, Kristin _eautore |
|
| 245 | 1 | 0 |
_aIntermodernism : _bLiterary Culture in Mid-Twentieth-Century Britain / _cKristin Bluemel. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
|
| 264 | 4 | _c©2009 | |
| 300 | _a1 online resource (264 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tAcknowledgements -- _tIntroduction: What is Intermodernism? -- _tPart I: Work -- _t1 A Cassandra with Clout: Storm Jameson, Little Englander and Good European -- _t2 Englands Ancient and Modern: Sylvia Townsend Warner, T. H. White and the Fictions of Medieval Englishness -- _t3 ‘A Strange Field’: Region and Class in the Novels of Harold Heslop -- _tPart II: Comm -- _t4 Stella Gibbons, Ex-Centricity and the Suburb -- _t5 Intermodern Travel: J. B. Priestley’s English and American Journeys -- _tPart III: War -- _t6 Under Suspicion: The Plotting of Britain in World War II Detective Spy Fiction -- _t7 Trials and Errors: The Heat of the Day and Postwar Culpability -- _t8 Rebecca West’s Palimpsestic Praxis: Crafting the Intermodern Voice of Witness -- _tPart IV: Documents -- _t9 The Intermodern Assumption of the Future: William Empson, Charles Madge and Mass-Observation -- _t10 ‘The creative treatment of actuality’: John Grierson, Documentary Cinema and ‘Fact’ in the 1930s -- _tAppendix: Who are the Intermodernists? -- _tSelect Bibliography -- _tNotes on Contributors -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aGBS_insertPreviewButtonPopup('ISBN:9780748635092);This collection of original critical essays challenges readers to accept a new term, new critical category, and new literary history for twentieth-century British literature. It takes as its primary subject the fascinating and typically neglected writing of the years of the Depression and World War II - the fiction, memoirs, criticism, and journalism of writers such as Elizabeth Bowen, Storm Jameson, William Empson, George Orwell, J. B. Priestley, Harold Heslop, T. H. White, Rebecca West, John Grierson, Margery Allingham, and Stella Gibbons. Divided into four sections: Work; Community; War; and Documents, the volume focuses on qualities that distinguish these writers' literary efforts from those of the modernists or postmodernists, elucidating the web of historical, institutional, and personal relationships that together define intermodernism.Researching, analyzing, and theorising intermodernism, this book focuses on three kinds of intermodern features in texts that are typically ignored in accounts of modernism or The Auden Generation: cultural features (intermodernists typically represent working-class and working middle-class cultures); political features (intermodernists are politically radical, 'radically eccentric'); and literary features (intermodernists are committed to non-canonical, even 'middlebrow' or 'mass' genres). To encourage future scholarship on intermodernism, the volume concludes with an appendix, 'Who Were the Intermodernists?', and a bibliography of primary and secondary sources.Key featuresPresents ten original chapters written by active and prominent scholars of mid-century British literary cultureLaunches an ambitious, long-term project that marks out a new period and style in twentieth-century literary historyBroad-ranging, treating novels, journalism, manifestos, short stories, film, poetry, memoirs, letters, and travel narratives of the interwar, war, and immediately post-World War II years | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 |
_aEnglish literature _xHistory and criticism _x20th century _xEnglisch. |
|
| 650 | 0 |
_aEnglish literature _y20th century _xHistory and criticism. |
|
| 650 | 4 | _aLiterary Studies. | |
| 650 | 7 |
_aLITERARY CRITICISM / General. _2bisacsh |
|
| 700 | 1 |
_aBluemel, Kristin _eautore |
|
| 700 | 1 |
_aCohen, Debra Rae _eautore |
|
| 700 | 1 |
_aColletta, Lisa _eautore |
|
| 700 | 1 |
_aFordham, John _eautore |
|
| 700 | 1 |
_aHammill, Faye _eautore |
|
| 700 | 1 |
_aHepburn, Allan _eautore |
|
| 700 | 1 |
_aHubble, Nick _eautore |
|
| 700 | 1 |
_aLassner, Phyllis _eautore |
|
| 700 | 1 |
_aMarcus, Laura _eautore |
|
| 700 | 1 |
_aMaslen, Elizabeth _eautore |
|
| 700 | 1 |
_aMontefiore, Janet _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780748635108 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780748635108 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748635108/original |
| 942 | _cEB | ||
| 999 |
_c196314 _d196314 |
||