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001 196318
003 IT-RoAPU
005 20221214232920.0
006 m|||||o||d||||||||
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008 220629t20222008stk fo d z eng d
020 _a9780748635252
_qprint
020 _a9780748635269
_qPDF
024 7 _a10.1515/9780748635269
_2doi
035 _a(DE-B1597)9780748635269
035 _a(DE-B1597)615204
035 _a(OCoLC)1302165140
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004030
_2bisacsh
082 0 4 _a791.4301
084 _aonline - DeGruyter
100 1 _adel Río, Elena
_eautore
245 1 0 _aDeleuze and the Cinemas of Performance :
_bPowers of Affection /
_cElena del Río.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2008
300 _a1 online resource (248 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgments --
_tIntroduction: Cinema and the Affective-Performative --
_t1 Animated Fetishes --
_t2 Choreographies of Affect --
_t3 Dancing Feminisms --
_t4 Kinesthetic Seductions --
_t5 Powers of the False --
_tConclusion: Everything Is “Yes” --
_tWorks Cited --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aGBS_insertPreviewButtonPopup('ISBN:9780748635252');This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. Key to the book's engagement with performance is a consistent attention to the body's powers of affection.Key FeaturesThe first study of the interface between Deleuzian theory and film performance.A sustained consideration of the links between the body of performance and the body of affect.An analysis of the relation of the performative body to a feminist politics.New readings of classical melodramas as well as contemporary independent cinemas."
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650 4 _aFilm, Media & Cultural Studies.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780748635269
856 4 0 _uhttps://www.degruyter.com/isbn/9780748635269
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780748635269/original
942 _cEB
999 _c196318
_d196318