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| 001 | 196476 | ||
| 003 | IT-RoAPU | ||
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_a9780748641543 _qprint |
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_a9780748643707 _qPDF |
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_a10.1515/9780748643707 _2doi |
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| 035 | _a(DE-B1597)9780748643707 | ||
| 035 | _a(DE-B1597)616552 | ||
| 035 | _a(OCoLC)1302166741 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aB2430.D484 | |
| 072 | 7 |
_aLIT006000 _2bisacsh |
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| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aKamuf, Peggy _eautore |
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| 245 | 1 | 0 |
_aTo Follow : _bThe Wake of Jacques Derrida / _cPeggy Kamuf. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2010 | |
| 300 | _a1 online resource (224 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aThe Frontiers of Theory : FRTH | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tWorks by Jacques Derrida Cited -- _tSeries Editor’s Preface -- _tIntroduction: Watchwords -- _t1. “Tape-Recorded Surprise”: Derrida Interviewed -- _t2. “Bartleby,” or Decision: A Note on Allegory -- _t3. Urgent Translation -- _t4. Coming to the Beginning -- _t5. To Follow -- _t6. La Morsure -- _t7. “One day someone . . .” -- _t8. The Affect of America -- _t9. From Now On -- _t10. Stunned: Derrida on Film -- _t11. Aller à la ligne -- _t12. Composition Displacement -- _t13. The Ear, Who? -- _t14. To Do Justice to “Rousseau,” Irreducibly -- _t15. The Deconstitution of Psychoanalysis -- _t16. The Philosopher, As Such, and the Death Penalty -- _tEpitaph -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThis book collects ten years of Peggy Kamuf's writing on the work and friendship of Jacques Derrida. The majority of the chapters discuss a key aspect of Derrida's thought, either from a single work or across several texts. Kamuf engages with a broad array of his work, from the 1960s to the posthumous publication of his teaching seminars. She also considers press interviews and the collaboration on a film. These close readings are punctuated by brief recollections from their long friendship.The chapters trace a reflection that undergoes the sudden event of Derrida's death. Rather than take this interruption as its premise, however, the book sets out from Derrida’s own teaching that mourning begins with friendship and not just at the death of the friend. Thus, the strict chronology of the chapters, from 2000 to 2010, highlights a general illusion of ‘before’ and ‘after’ that comes undone over the course of the sequence. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 4 | _aLiterary Studies. | |
| 650 | 7 |
_aLITERARY CRITICISM / Semiotics & Theory. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780748643707?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780748643707 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748643707/original |
| 942 | _cEB | ||
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_c196476 _d196476 |
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