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001 196592
003 IT-RoAPU
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008 220629t20222013stk fo d z eng d
020 _a9780748646906
_qprint
020 _a9780748646913
_qPDF
024 7 _a10.1515/9780748646913
_2doi
035 _a(DE-B1597)9780748646913
035 _a(DE-B1597)614602
035 _a(OCoLC)1302163517
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004010
_2bisacsh
084 _aonline - DeGruyter
100 1 _aPurse, Lisa
_eautore
245 1 0 _aDigital Imaging in Popular Cinema /
_cLisa Purse.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2013
300 _a1 online resource (208 p.) :
_b15 B/W illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIllustrations --
_tAcknowledgements --
_tIntroduction --
_t1 Interpretation and the Digital --
_t2 Digital Imaging as Metaphor --
_t3 Digital Imaging and the Body --
_t4 Historicising the Digital --
_t5 Representation and the Digital --
_t6 The Digital in Three Dimensions --
_tConclusion --
_tBibliography --
_tFilmography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aA Choice Outstanding Academic Title for 2013To what extent has cinema been transformed by the advent of digital imaging? Have digital solutions to production challenges begun to change our experience of films, and their characters, action and narratives? And what impact does the inclusion of digital imaging in the film frame have on our interpretation and analysis of film texts?Digital Imaging in Popular Cinema explores these issues through analysis of specific film moments and extended case studies of films including Minority Report, King Kong, 300 and Hugo. It discusses how digital imaging can mimic, transform, shape and generate both fantastical and mundane objects and phenomena from scratch, and what the implications are for how we ‘read’ films, and explores how cultural ideas about digital imaging can influence meaning within a film, a scene or even a single shot.The increasingly widespread use of digital imaging in cinema means that we can no longer afford to ignore it when critically analysing and interpreting film texts. This innovative and engaging book provides a blueprint for approaching digital imaging in contemporary film, and is therefore essential reading for all those working in the field of Film Studies.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650 0 _aCinematography -- Technological innovations.
650 0 _aDigital cinematography.
650 4 _aFilm, Media & Cultural Studies.
650 7 _aPERFORMING ARTS / Film & Video / Direction & Production.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780748646913
856 4 0 _uhttps://www.degruyter.com/isbn/9780748646913
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780748646913/original
942 _cEB
999 _c196592
_d196592