000			03741nam a22005295i 4500
001			196594
003			IT-RoAPU
005			20221214232931.0
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008			220629t20222011stk fo d z eng d
020			_a9780748638529 _qprint
020			_a9780748646975 _qPDF
024	7		_a10.1515/9780748646975 _2doi
035			_a(DE-B1597)9780748646975
035			_a(DE-B1597)615522
035			_a(OCoLC)1302165152
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT004020 _2bisacsh
082	0	4	_a810.9358 _222
084			_aonline - DeGruyter
100	1		_aRandall, Martin _eautore
245	1	0	_a9/11 and the Literature of Terror / _cMartin Randall.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2011
300			_a1 online resource (174 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgements -- _tIntroduction: Eyewitnesses, Conspiracies and Baudrillard -- _t1. ‘Beyond Belief’: McEwan, DeLillo and 110 Stories -- _t2. ‘Total Malignancy . . . Militant Irony’: Martin Amis, The Second Plane -- _t3. ‘You Know How it Ends’: Metafiction and 9/11 in Windows on the World -- _t4. ‘A Wing and a Prayer’: Simon Armitage, Out of the Blue -- _t5. ‘A Certain Blurring of the Facts’: Man on Wire and 9/11 -- _t6. ‘He is Consoling, She is Distraught’: Men and Women and 9/11 in The Mercy Seat and The Guys -- _t7. ‘Everything Seemed to Mean Something’: Signifying 9/11 in Don DeLillo’s Falling Man -- _tConclusion: ‘I am a Lover of America’ -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aExplores the fiction, poetry, theatre and cinema that have represented the 9/11 attacksWorks by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications. Other chapters analyse initial responses to 9/11, the intriguing tensions between fiction and non-fiction, the challenge of describing traumatic history and the ways in which the terrorist attacks have been discussed culturally in the decade since September 11.Key FeaturesContributes to the growing literature on 9/11, presenting an over-view of some of the main texts that have represented the attacks and their aftermathFocus on Don DeLillo: adds to the literature surrounding this major American novelistFocus on Martin Amis: adds to the growing critical work on this much discussed British novelist and essayistMan on Wire: provides a critical analysis of this Oscar winning film regarding its oblique references to 9/11
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aLiterature, Modern _y21st century _xHistory and criticism.
650		0	_aSeptember 11 Terrorist Attacks, 2001 _xInfluence.
650		0	_aSeptember 11 Terrorist Attacks, 2001, in literature.
650		4	_aAmerican Studies.
650		7	_aLITERARY CRITICISM / American / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780748646975?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780748646975
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748646975/original
942			_cEB
999			_c196594 _d196594