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| 001 | 196606 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232931.0 | ||
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| 008 | 220629t20222011stk fo d z eng d | ||
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_a9780748641604 _qprint |
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_a9780748647095 _qPDF |
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| 024 | 7 |
_a10.1515/9780748647095 _2doi |
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| 035 | _a(DE-B1597)9780748647095 | ||
| 035 | _a(DE-B1597)614706 | ||
| 035 | _a(OCoLC)1306538643 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aPER004000 _2bisacsh |
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| 082 | 0 | 4 | _a791.4361 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aHoreck, Tanya _eautore |
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| 245 | 1 | 4 |
_aThe New Extremism in Cinema : _bFrom France to Europe / _cTanya Horeck, Tina Kendall. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2011 | |
| 300 | _a1 online resource (248 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgements -- _tChapter 1 Introduction -- _tChapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema -- _tPart 1 French Cinema and the New Extremism -- _tChapter 3 The Wounded Screen -- _tChapter 4 Reframing Bataille: On Tacky Spectatorship in the New European Extremism -- _tChapter 5 Beyond Anti-Americanism, Beyond Euro-Centrism: Locating Bruno Dumont’s Twentynine Palms in the Context of European Cinematic Extremism -- _tPart II Becoming Animal: Posthumanism and the New Extremism -- _tChapter 6 Shadows of Being in Sombre: Archetypes, Wolf-men and Bare Life -- _tChapter 7 Eastern Extreme: The Presentation of Eastern Europe as a Site of Monstrosity in La Vie nouvelle and Import/Export -- _tChapter 8 Naked Women, Slaughtered Animals: Ulrich Seidl and the Limits of the Real -- _tChapter 9 Watching Rape, Enjoying Watching Rape . . .: How Does a Study of Audience Cha(lle)nge Mainstream Film Studies Approaches? -- _tChapter 10 Censorship, Reception and the Films of Gaspar Noé: The Emergence of the New Extremism in Britain -- _tChapter 11 ‘Sex and Violence from a Pair of Furies’: The Scandal of Baise-moi -- _tChapter 12 ‘Close Your Eyes and Tell Me What You See’: Sex and Politics in Lukas Moodysson’s Films -- _tPart IV Ethics and Spectatorship in the New Extremism -- _tChapter 13 Lars von Trier’s Dogville: A Feel-Bad Film -- _tChapter 14 A ‘Passion for the Real’: Sex, Affect and Performance in the Films of Andrea Arnold -- _tChapter 15 Interrogating the Obscene: Extremism and Michael Haneke -- _tChapter 16 On the Unwatchable -- _tAfterword -- _tChapter 17 More Moralism from that ‘Wordy Fuck’ -- _tNotes on Contributors -- _tWorks Cited -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aExplosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar Noé, Michael Haneke and Lars von Trier have attracted media attention for the ways in which they seek to shock and provoke the spectator into powerful affective and visceral responses.This first collection of essays devoted to the new extremism in contemporary European cinema critically interrogates this highly contentious body of work and demonstrates that these films and the controversies they engender are indispensable to the critical task of rethinking the terms of spectatorship. Through critical discussions of key films and directors, this book sheds new light on cutting-edge debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema.Including important new work from internationally renowned scholars Martin Barker and Martine Beugnet, as well as combining a range of approaches to extreme cinema across audience research and theories of spectator ship, this exploration of the darkest side of cinema will be an invaluable resource for film scholars and students. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | _aMotion pictures -- Europe -- History. | |
| 650 | 0 |
_aMotion pictures _zEurope _xHistory. |
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| 650 | 0 | _aSex in motion pictures. | |
| 650 | 0 | _aViolence in motion pictures. | |
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / General. _2bisacsh |
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| 700 | 1 |
_aArcher, Neil _eautore |
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| 700 | 1 |
_aBarker, Martin _eautore |
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| 700 | 1 |
_aBeugnet, Martine _eautore |
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| 700 | 1 |
_aChamarette, Jenny _eautore |
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| 700 | 1 |
_aCoulthard, Lisa _eautore |
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| 700 | 1 |
_aGoddard, Michael _eautore |
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| 700 | 1 |
_aGrønstad, Asbjørn _eautore |
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| 700 | 1 |
_aHickin, Daniel _eautore |
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| 700 | 1 |
_aHoreck, Tanya _eautore |
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| 700 | 1 |
_aKendall, Tina _eautore |
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| 700 | 1 |
_aLarsson, Mariah _eautore |
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| 700 | 1 |
_aLübecker, Nikolaj _eautore |
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| 700 | 1 |
_aQuandt, James _eautore |
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| 700 | 1 |
_aWheatley, Catherine _eautore |
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| 700 | 1 |
_aWimmer, Leila _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780748647095 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780748647095 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748647095/original |
| 942 | _cEB | ||
| 999 |
_c196606 _d196606 |
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