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| 008 | 220524t20222013stk fo d z eng d | ||
| 010 | _a2013409731 | ||
| 019 | _a(OCoLC)1302166121 | ||
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_a9780748647361 _qprint |
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_a9780748647378 _qPDF |
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_a10.1515/9780748647378 _2doi |
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| 035 | _a(DE-B1597)9780748647378 | ||
| 035 | _a(DE-B1597)616047 | ||
| 035 | _a(OCoLC)1301550146 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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_aPN1995 _b.R333 2013 |
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_aPN1995 _b.R333 2013 |
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| 072 | 7 |
_aPER004040 _2bisacsh |
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| 082 | 0 | 4 |
_a791.4301 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBowman, Paul _eautore |
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| 245 | 1 | 0 |
_aRancière and Film / _cPaul Bowman. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2013 | |
| 300 | _a1 online resource (224 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 0 | _aCritical Connections : CRCO | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgements -- _t1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies -- _t2 What Does It Mean to Call Film an Art? -- _t3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications -- _t4 The Spectator without Qualities -- _t5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism -- _t6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad -- _t7 Inhuman Spectatorship -- _t8 Cinemarxis: Rancière and Godard -- _t9 Jacques Rancière's Animated Vertigo; or, How to be Specific about Medium -- _t10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema -- _t11 Remarks by Way of a Postface -- _tContributors -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThe first collection of critical essays on the film work of the philosopher Jacques RancièreJacques Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Rancière himself.Contributors includeNico Baumbach, Columbia UniversityRey Chow, Duke UniversityBram Ieven, Utrecht UniversityMónica Lopez Lerma, Helsinki UniversityPatricia MacCormack, University of East AngliaRichard Stamp, Bath Spa UniversityJames Steintrager, University of California, Irvine | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) | |
| 650 | 0 |
_aMotion pictures _xPhilosophy. |
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| 650 | 4 | _aPhilosophy. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / Reference. _2bisacsh |
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| 700 | 1 |
_aBaumbach, Nico _eautore |
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| 700 | 1 |
_aBowman, Paul _eautore |
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| 700 | 1 |
_aChow, Rey _eautore |
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| 700 | 1 |
_aGeil, Abraham _eautore |
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| 700 | 1 |
_aIeven, Bram _eautore |
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| 700 | 1 |
_aLópez Lerma, Mónica _eautore |
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| 700 | 1 |
_aMacCormack, Patricia _eautore |
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| 700 | 1 |
_aRancière, Jacques _eautore |
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| 700 | 1 |
_aRobson, Mark _eautore |
|
| 700 | 1 |
_aStamp, Richard _eautore |
|
| 700 | 1 |
_aSteintrager, James A. _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780748647378 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780748647378 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748647378/original |
| 942 | _cEB | ||
| 999 |
_c196616 _d196616 |
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