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020 _a9780748641215
_qprint
020 _a9780748647460
_qPDF
024 7 _a10.1515/9780748647460
_2doi
035 _a(DE-B1597)9780748647460
035 _a(DE-B1597)616058
035 _a(OCoLC)1302165537
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN1995
072 7 _aPER004000
_2bisacsh
082 0 4 _a791.4301
084 _aonline - DeGruyter
100 1 _aMartin-Jones, David
_eautore
245 1 0 _aDeleuze and Film /
_cDavid Martin-Jones, William Brown.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2012
300 _a1 online resource (248 p.) :
_b3 B/W line art
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aDeleuze Connections : DECO
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgements --
_tIntroduction: Deleuze’s World Tour of Cinema --
_t1 An Imprint of Godzilla: Deleuze, the Action-Image and Universal History --
_t2 Philosophy, Politics and Homage in Tears of the Black Tiger --
_t3 Time-Images in Traces of Love: Repackaging South Korea’s Traumatic National History for Tourism --
_t4 The Rebirth of the World: Cinema According to Baz Luhrmann --
_t5 ‘There are as many paths to the time-image as there are fi lms in the world’: Deleuze and The Lizard --
_t6 In Search of Lost Reality: Waltzing with Bashir --
_t7 The Schizoanalysis of European Surveillance Films --
_t8 Fictions of the Imagination: Habit, Genre and the Powers of the False --
_t9 Feminine Energies, or the Outside of Noir --
_t10 The Daemons of Unplumbed Space: Mixing the Planes in Hellboy --
_t11 Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or What Can a Digital Body Do? --
_t12 The Surface of the Object: Quasi-Interfaces and Immanent Virtuality --
_tNotes on Contributors --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aA wide-ranging collection of essays on the film-philosophy of Gilles DeleuzeDeleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books.Key FeaturesAnalyses several Asian films, including Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Black Tiger, the South Korean road movie Traces of Love and the Iranian comedy The LizardDiscusses American film noir, recent European art films such as Red Road and The Lives of Others and Hollywood CGI Blockbusters including Hellboy and The Curious Case of Benjamin Button Includes a dedicated chapter on the animated documentary Waltz with BashirStudies host of different directors from Rainer Werner Fassbinder to Baz Luhrmann
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650 0 _aDeleuze, Gilles, -- 1925-1995.
650 0 _aMotion pictures -- Philosophy.
650 0 _aMotion pictures
_xPhilosophy.
650 0 _aMotion pictures.
650 4 _aPhilosophy.
650 7 _aPERFORMING ARTS / Film & Video / General.
_2bisacsh
700 1 _aBrown, William
_eautore
700 1 _aDeamer, David
_eautore
700 1 _aFleming, David H.
_eautore
700 1 _aHadjioannou, Markos
_eautore
700 1 _aHerzog, Amy
_eautore
700 1 _aJeong, Seung-hoon
_eautore
700 1 _aMartin-Jones, David
_eautore
700 1 _aPekerman, Serazer
_eautore
700 1 _aPowell, Anna
_eautore
700 1 _aRushton, Richard
_eautore
700 1 _aRío, Elena del
_eautore
700 1 _aSutton, Damian
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780748647460
856 4 0 _uhttps://www.degruyter.com/isbn/9780748647460
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780748647460/original
942 _cEB
999 _c196620
_d196620