| 000 | 09568nam a22012375i 4500 | ||
|---|---|---|---|
| 001 | 196650 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232933.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20222012stk fo d z eng d | ||
| 010 | _a2011487543 | ||
| 020 |
_a9780748653911 _qPDF |
||
| 024 | 7 |
_a10.1515/9780748653911 _2doi |
|
| 035 | _a(DE-B1597)9780748653911 | ||
| 035 | _a(DE-B1597)619362 | ||
| 035 | _a(OCoLC)1302163538 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 0 | 0 |
_aPR408.W37 _bE35 2012 |
| 072 | 7 |
_aLIT012000 _2bisacsh |
|
| 082 | 0 | 4 |
_a820.93581 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aPiette, Adam _eautore |
|
| 245 | 1 | 4 |
_aThe Edinburgh Companion to Twentieth-Century British and American War Literature / _cAdam Piette, Mark Rawlinson. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
|
| 264 | 4 | _c©2012 | |
| 300 |
_a1 online resource (600 p.) : _b17 B/W illustrations |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 490 | 0 | _aEdinburgh Companions to Literature and the Humanities | |
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tIllustrations -- _tIllustrations acknowledgements -- _tIntroduction: The Wars of the Twentieth Century -- _tPart I: Wars and their Literatures -- _t1. Occasioning Peace: Three Poems of the Anglo-Boer War -- _t2. ‘The essentially modern attitude toward war’: English Poetry of the Great War -- _t3. Debatable Ground: Freedom and Constraint in British First World War Prose Fiction -- _t4. One of Ours in Context: The American World War I Novel -- _t5. The ‘moaning of the world’ and the ‘words that bring me peace’: Modernism and the First World War -- _t6. The Great War and the Moving Image: Cinema and Memory -- _t7. Irish Writing of Insurrection and Civil War, 1916–39 -- _t8. The Poetry of the Spanish Civil War -- _t9. ‘Lucid Song’: The Poetry of the Second World War -- _t10. American Poets of World War II -- _t11. Writing after Nuremberg: The Judicial Imagination in the Age of the Trauma Trial -- _t12. The Second World War in American Fiction -- _t13. The Second World War in British Drama since 1968 -- _t14. Holocaust Testimony: Understanding and Criticism -- _t15. Holocaust Film -- _t16. O, Do Not Dream of Peace: American Poetry of the Korean War -- _t17. The Fictions of Nuclear War, from Hiroshima to Vietnam -- _t18. Cold War Films -- _t19. Britain’s Small Wars: Domesticating ‘Emergency’ -- _t20. The Disappeared and the Damned: Duplicity, Complicity and Reality in the Literature of the Pax Americana -- _t21. Vietnam Fictions -- _t22. ‘Will there be peace again?’: American and Vietnamese Poetry on the Vietnam/American War -- _t23. Poetry and the Northern Ireland ‘Troubles’ -- _t24. The Literature of the Falklands/Malvinas War -- _t25. ‘An Uneven Killing Field’: British Literature and the Former Yugoslavia -- _t26. Sacrifice and the Sublime since 11 September 2001 -- _tPart II: Bodies, Behaviour, Cultures -- _tIntroduction: Bodies, Behaviour, Cultures -- _t27. War Memorials -- _t28. Unsettled Memory: A Meditation on Contested Ground -- _t29. War, Policing and Surveillance: Pat Barker and the Secret State -- _t30. American Psychiatry, World War II and the Korean War -- _t31. Pacifists and Conscientious Objectors -- _t32. The Representation of Refugees in Arthur Koestler’s Arrival and Departure and Caryl Phillips’s A Distant Shore -- _t33. ‘These rooms / run into each other like tunnels / leading to the underworld’: Race in War Literature -- _t34. A Spy Under Every Bed: Espionage and Popular Literature from the First World War -- _t35. Reflections on the Enemy: From Evil Nazis to Good Germans -- _tPart III: Technology -- _tIntroduction: Technology -- _t36. Camouflage and the Re-enchantment of Warfare -- _t37. Warplane -- _t38. Monsarrat’s Corvettes and the Battle of the Atlantic -- _t39. Submarine Novels ‘After History’ -- _t40. ‘An ecstasy of fumbling’: Gas Warfare, 1914–18 and the Uses of Affect -- _t41. Paul Virilio as Twentieth-Century Military Strategist: War, Cinema and the Logistics of Perception -- _t42. Word Electric, So Finite: Radio, Poetry and the Séance in World War I -- _tPart IV: Spaces -- _tIntroduction: Spaces -- _t43. The Trenches -- _t44. Literature of the Camps in the Second World War -- _t45. ‘That fi ghting was a long way off ’: Desert and Jungle War Poems -- _t46. Cityscape: The Bombed City in the Second World War -- _t47. The Eight-week College of the Age of Extremes: The Barracks and the Training Ground -- _tPart V: Genres -- _tIntroduction: Genres -- _t48. Contemporary War Drama: Caryl Churchill -- _t49. Nuclear War in Science Fiction -- _t50. The Children’s War -- _t51. The Troubles with the Thriller: Northern Ireland, Political Violence and the Peace Process -- _t52. Fantasies of Complicity in the Second World War -- _t53. Visualising the Transformations of War: War and Art in the Twentieth Century -- _t54. Twentieth-Century Spy Fiction -- _t55. ‘Play Up and Play the Game!’: The Narrative of War Games -- _t56. War Correspondence -- _t57. Thinking War -- _tNotes on contributors -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aThe first reference to literary and cultural representations of war in 20th-century English & US literature and filmCoving the two World Wars, the Spanish Civil War, the Cold War, the Vietnam War, the Troubles in Northern Ireland and the War on Terror, this Companion reveals the influence of modern wars on the imagination.These newly researched and innovative essays connect 'high' literary studies to the engagement of film and theatre with warfare, extensively cover the literary and cultural evaluation of the technologies of war and open the literary field to genre fiction. Divided into 5 sections: 20th-Century Wars and Their LiteraturesBodies, Behaviours, CulturesThe Cultural Impact of the Technologies of Modern WarThe Spaces of Modern WarGenres of War CultureKey FeaturesAll-new original essays commissioned from major critics and cultural historiansReflects the way war studies are currently being taught and researched: in the volume's approach, structure and breadth of coverageFor scholars: core arguments and detailed research topicsFor students: Historically grounded topic- and genre-based essays, useful forstudying the modern period and war modules | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 |
_aAmerican literature _y20th century _xHistory and criticism. |
|
| 650 | 0 |
_aEnglish literature _y20th century _xHistory and criticism. |
|
| 650 | 0 | _aWar in literature. | |
| 650 | 4 | _aLiterary Studies. | |
| 650 | 7 |
_aLITERARY CRITICISM / Reference. _2bisacsh |
|
| 700 | 1 |
_aAnderson, Kris _eautore |
|
| 700 | 1 |
_aArmitage, John _eautore |
|
| 700 | 1 |
_aAuerbach, Jonathan _eautore |
|
| 700 | 1 |
_aBegley, Jon _eautore |
|
| 700 | 1 |
_aBoll, Julia _eautore |
|
| 700 | 1 |
_aBolton, Jonathan _eautore |
|
| 700 | 1 |
_aBooth, Allyson _eautore |
|
| 700 | 1 |
_aBrearton, Fran _eautore |
|
| 700 | 1 |
_aCampbell, Matthew _eautore |
|
| 700 | 1 |
_aChattarji, Subarno _eautore |
|
| 700 | 1 |
_aCreighton, Jane _eautore |
|
| 700 | 1 |
_aDas, Santanu _eautore |
|
| 700 | 1 |
_aEaglestone, Bob _eautore |
|
| 700 | 1 |
_aEhrhart, William D. _eautore |
|
| 700 | 1 |
_aErwin, Lee _eautore |
|
| 700 | 1 |
_aFountain, James _eautore |
|
| 700 | 1 |
_aGoethals, Helen _eautore |
|
| 700 | 1 |
_aGoldie, David _eautore |
|
| 700 | 1 |
_aHalliwell, Martin _eautore |
|
| 700 | 1 |
_aHammond, Andrew _eautore |
|
| 700 | 1 |
_aHaslam, Sara _eautore |
|
| 700 | 1 |
_aHaytock, Jennifer _eautore |
|
| 700 | 1 |
_aHeberle, Mark A. _eautore |
|
| 700 | 1 |
_aHelff, Sissy _eautore |
|
| 700 | 1 |
_aHouen, Alex _eautore |
|
| 700 | 1 |
_aKelly, Aaron _eautore |
|
| 700 | 1 |
_aKingsbury, Celia M. _eautore |
|
| 700 | 1 |
_aLangford, Barry _eautore |
|
| 700 | 1 |
_aLewty, Jane _eautore |
|
| 700 | 1 |
_aLimon, John _eautore |
|
| 700 | 1 |
_aMacCallum-Stewart, Esther _eautore |
|
| 700 | 1 |
_aMansfield, Nick _eautore |
|
| 700 | 1 |
_aMaslen, R. W. _eautore |
|
| 700 | 1 |
_aMathison, Hamish _eautore |
|
| 700 | 1 |
_aMcLoughlin, Kate _eautore |
|
| 700 | 1 |
_aMeacham, Jessica _eautore |
|
| 700 | 1 |
_aMellor, Leo _eautore |
|
| 700 | 1 |
_aNorris, Margot _eautore |
|
| 700 | 1 |
_aOuditt, Sharon _eautore |
|
| 700 | 1 |
_aParis, Michael _eautore |
|
| 700 | 1 |
_aPascoe, David _eautore |
|
| 700 | 1 |
_aPatterson, Ian _eautore |
|
| 700 | 1 |
_aPiette, Adam _eautore |
|
| 700 | 1 |
_aPotter, Jane _eautore |
|
| 700 | 1 |
_aPurdon, James _eautore |
|
| 700 | 1 |
_aRau, Petra _eautore |
|
| 700 | 1 |
_aRawlinson, Mark _eautore |
|
| 700 | 1 |
_aRayner, Jonathan _eautore |
|
| 700 | 1 |
_aRobinson, Peter _eautore |
|
| 700 | 1 |
_aSalton-Cox, Glyn _eautore |
|
| 700 | 1 |
_aSeed, David _eautore |
|
| 700 | 1 |
_aStewart, Victoria _eautore |
|
| 700 | 1 |
_aStonebridge, Lyndsey _eautore |
|
| 700 | 1 |
_aTolson, Roger _eautore |
|
| 700 | 1 |
_aTrumpener, Katie _eautore |
|
| 700 | 1 |
_aVice, Sue _eautore |
|
| 700 | 1 |
_aWienen, Mark W. Van _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780748653911 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780748653911 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748653911/original |
| 942 | _cEB | ||
| 999 |
_c196650 _d196650 |
||