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020 _a9780748664696
_qprint
020 _a9780748664702
_qPDF
024 7 _a10.1515/9780748664702
_2doi
035 _a(DE-B1597)9780748664702
035 _a(DE-B1597)614524
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aAitken, Ian
_eautore
245 1 0 _aHong Kong Documentary Film /
_cIan Aitken, Michael Ingham.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2014
300 _a1 online resource (248 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_t1 Hong Kong, Britain, China: The Documentary Film, 1896-1941, A Page of History (1941) and The Battle of Shanghai (1937) --
_t2 Hong Kong, Britain, China: The Documentary Film, 1947-69, the 'Picturesque' Committed Film and Water Comes over the Hills from the East (1965) --
_t3 Colonial Film: The Development of Official Film-making in Hong Kong, 1945-73, the Hong Kong Film Unit (1959-73) and This is Hong Kong (1961 --
_t4 Public-service Broadcasting in an Authoritarian Setting: The Case of Radio Television Hong Kong and the Development of Television Documentary Film in Hong Kong --
_t5 The Documentary Films of Radio Television Hong Kong (RTHK) and The Hong Kong Case (1989) --
_t6 Aesthetics and Radicalism: An Overview of Independent Documentary Film in Hong Kong, 1973-2013 --
_t7 A Critical Analysis of Significant Independent Documentary Films of the Past Three Decades --
_tConclusions: The Future of Independent Documentary Film in Hong Kong, China and the Region --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aGBS_insertPreviewButtonPopup(['ISBN:9780748664696','ISBN:9780748664702','ISBN:9780748664726']);A comprehensive study of the lost genre of Hong Kong documentary filmRead and download the first chapter for free here (pdf)Does Hong Kong have a significant tradition in documentary filmmaking? Until recently, many film scholars believed not. Yet, when Ian Aitken and Michael Ingham challenged this assumption, they discovered a rich cinematic tradition, dating back to the 1890s.Under-researched and often forgotten, documentary film-making in Hong Kong includes a thriving independent documentary film movement, a large archive of documentaries made by the colonial film units, and a number of classic British Official Films. Case studies from all three categories are examined in this book, including The Battle of Shanghai, The Sea and the Sky, Rising Sun and The Hong Kong Case. In-depth discussion and analysis of more recent Hong Kong independent documentaries focuses on works such as Cheung King-wai's KJ: A Life in Music and films by Tammy Cheung and Evans Chan.With a particular focus on how these films address the historico-political dimension of their time, Hong Kong Documentary Film introduces students and scholars in Film Studies to this fascinating and largely unexplored cinematic tradition."
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aDocumentary films
_zChina
_zHong Kong
_xHistory and criticism.
650 4 _aFilm, Media & Cultural Studies.
650 7 _aPERFORMING ARTS / Film & Video / General.
_2bisacsh
700 1 _aIngham, Michael
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780748664702
856 4 0 _uhttps://www.degruyter.com/isbn/9780748664702
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780748664702/original
942 _cEB
999 _c196691
_d196691