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020 _a9780748611348
_qprint
020 _a9780748665914
_qPDF
024 7 _a10.1515/9780748665914
_2doi
035 _a(DE-B1597)9780748665914
035 _a(DE-B1597)614851
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004030
_2bisacsh
084 _aonline - DeGruyter
100 1 _aKennedy, Barbara
_eautore
245 1 0 _aDeleuze and Cinema :
_bThe Aesthetics of Sensation /
_cBarbara Kennedy.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2000
300 _a1 online resource (240 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgements --
_tDiscovering the Beautiful Strange --
_tFrom Micro-politics to Aesthetics --
_tFrom Oedipal Myths . . . to New Interventions --
_tFrom Abstract Machines to Deleuzian Becomings --
_tConstituting Bodies ± from Subjectivity and Affect to the Becoming-woman of the Cinematic --
_tTowards an Aesthetics of Sensation --
_tOrlando - Deleuzian Landscapes of Immanence --
_tThe English Patient - Deleuzian Landscapes of Immanence --
_tRomeo and Juliet - Deleuzian Sensations --
_tStrange Days - Deleuzian Sensations --
_tReconfiguring Love . . . A Deleuzian Travesty? Leon and a Molecular Politics via the Girl and the Child --
_tBibliography --
_tFilmography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aFilm theory has for so long been concerned with sociological, empirical and psychoanalytic approaches that its place within our aesthetic sensibilities seems to have been forgotten.Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds. While much film theory has looked at desire in terms of (visual and spectator) pleasure, Barbara Kennedy suggests, in this provocative new study, that these different perceptions of 'body' are responsible, as well as the brain/mind, for the ways in which visual elements of colour, movement, rhythm and sensation are acquired within, through and beyond our consciousness.Film is visceral, vital and dynamic, and wider frameworks of understanding are needed to explain these aesthetic resonances. Deleuze and Cinema asks: how can we begin to understand the cinematic experience as one of material capture, processuality and movement - as opposed to a spectator/text relationship - where desire and pleasure are part of a complex 'aesthetics of sensation'?Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon the book offers a new and creative collusion between Deleuzian philosophy - specifically Deleuze's ideas about desire, pleasure, sensation, affect and 'becoming-woman' - and contemporary film studies.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 4 _aPhilosophy.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780748665914
856 4 0 _uhttps://www.degruyter.com/isbn/9780748665914
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780748665914/original
942 _cEB
999 _c196697
_d196697