| 000 | 03477nam a22004815i 4500 | ||
|---|---|---|---|
| 001 | 196699 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232935.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220302t20222004stk fo d z eng d | ||
| 020 |
_a9780748619870 _qprint |
||
| 020 |
_a9780748666058 _qPDF |
||
| 024 | 7 |
_a10.1515/9780748666058 _2doi |
|
| 035 | _a(DE-B1597)9780748666058 | ||
| 035 | _a(DE-B1597)614153 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 072 | 7 |
_aLIT000000 _2bisacsh |
|
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aTaxidou, Olga _eautore |
|
| 245 | 1 | 0 |
_aTragedy, Modernity and Mourning / _cOlga Taxidou. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
|
| 264 | 4 | _c©2004 | |
| 300 | _a1 online resource (224 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _tCHAPTER ONE The Allure of Antigone or Antigone and the Philosophers -- _tCHAPTER TWO Oedipus/Anti-Oedipus: The Philosopher, the Actor and the Patient -- _tCHAPTER THREE Trauerspiel, Tragedy and Epic -- _tCHAPTER FOUR Euripides and Aristotle: Friends in Mourning -- _tCHAPTER FIVE The Heroism of Hercules and the Beauty of Helen -- _tCHAPTER SIX Mourning and Tragic Form -- _tCHAPTER SEVEN Brecht - Beckett - Müller: Modern Tragedy and Engagement -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aGBS_insertPreviewButtonPopup('ISBN:9780748619870);This powerful reinterpretation of Greek tragedy focuses on the performative - the physical and civic - dimension of tragedy. It challenges the idealist, humanist, and universalist approaches that have informed our most cherished philosophical, psychoanalytical, and modern interpretations of Greek tragedy and, in doing so, asks us to renew our relation to these works and to our literary and philosophical inheritance.The book reassesses tragic form in relation to Athenian democracy and links it with a performative discourse that both excludes the feminine and relies on civic and private forms of mourning. At the same time, it explores the centrality of tragedy for thinkers of Modernity such as Hölderlin, Nietzsche, Hegel, Freud, Brecht and Benjamin. Through a persuasive analysis of both classical theorists - Plato and Aristotle - and modern theorists - Benjamin, Lacan, Kristeva, Derrida and Butler - the book significantly shifts the emphasis from a Sophoclean model of tragedy to a Euripidean one. Close readings of the performance aspects of Greek play-texts help illuminate these ideas.FeaturesCompelling new interpretation of Greek tragedy Performance based Attentive to issues of gender" | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 4 | _aLiterary Studies. | |
| 650 | 7 |
_aLITERARY CRITICISM / General. _2bisacsh |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780748666058?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780748666058 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748666058/original |
| 942 | _cEB | ||
| 999 |
_c196699 _d196699 |
||