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001			196758
003			IT-RoAPU
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008			220302t20222001stk fo d z eng d
020			_a9780748611683 _qprint
020			_a9780748673346 _qPDF
024	7		_a10.1515/9780748673346 _2doi
035			_a(DE-B1597)9780748673346
035			_a(DE-B1597)615183
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPER004000 _2bisacsh
082	0	4	_a791.4301 _221
084			_aonline - DeGruyter
100	1		_aAitken, Ian _eautore
245	1	0	_aEuropean Film Theory and Cinema : _bA Critical Introduction / _cIan Aitken.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2001
300			_a1 online resource (280 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tIntroduction -- _tI. Didacticism and Intuition in Russian Formalism and Weimar Film Theory -- _tII. Determinism and Symbolism in the Film Theory of Eisenstein -- _tIII. Aestheticism and Engagement in Weimar Cinematic Modernism and Soviet Montage Cinema -- _tIV. Into the Realm of the Wondrous -- _tV. The World Well Lost -- _tVI. From Political Modernism to Postmodernism -- _tVII. The Redemption of Physical Reality -- _tVIII. Late European Cinema and Realism -- _tIX. Post-war Italian and Spanish Realist Cinema -- _tConclusions -- _tSelect Bibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aEuropean Film Theory and Cinema: A Critical Introduction explores the major film theories and cinema movements within European cinema from the 1900s onwards. The content of the book is organised around two major traditions which dominate European film theory and cinema: the 'intuitionist modernist and realist' tradition and the 'post-Saussurian' tradition. The first of these is located within a philosophical lineage which encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. The post-Saussurian tradition includes semiotics, structuralism and post-structuralism.The first three chapters explore the interaction between intuitionist and rationalist tendencies within Russian formalism, Soviet montage cinema, Weimar cinematic modernism and the work of Eisenstein, whilst chapter four focuses on French impressionism. Chapters five and six provide an overview of the post-Saussurian tradition, and the structuralist, post-structuralist, political modernist and postmodern cinema which the tradition has fostered. Chapter seven traces the continuities which exist between early modernism and realism, focusing on the theories of realism developed by Grierson, Kracauer, Bazin and Lukacs. The last two chapters explore post-war European realist cinema. Throughout, the book focuses on films which can be identified with the two traditions.This original and critically astute introduction is intended for students and scholars of film studies, cultural studies, philosophy of film and modern languages and literatures.Key FeaturesCase studies of important theorists and film movementsChapters which provide comparative overviews of periods of European modernist and realist cinemaExtensive bibliographical informationEstablishes the central thematic concerns and stylistic traits underlying the major European film theories and movements
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aFilm criticism _zEurope _xHistory.
650		0	_aMotion pictures _zEurope _xPhilosophy.
650		0	_aMotion pictures _zEurope.
650		4	_aFilm, Media & Cultural Studies.
650		7	_aPERFORMING ARTS / Film & Video / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780748673346
856	4	0	_uhttps://www.degruyter.com/isbn/9780748673346
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748673346/original
942			_cEB
999			_c196758 _d196758