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008			220524t20222013stk fo d z eng d
010			_a2013443664
019			_a(OCoLC)1302162602
020			_a9780748676392 _qprint
020			_a9780748676408 _qPDF
024	7		_a10.1515/9780748676408 _2doi
035			_a(DE-B1597)9780748676408
035			_a(DE-B1597)615146
035			_a(OCoLC)1301546407
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPN1998.3.M39784 _bS53 2013
072		7	_aPER004000 _2bisacsh
084			_aonline - DeGruyter
100	1		_aFradley, Martin _eautore
245	1	0	_aShane Meadows : _bCritical Essays / _cMelanie Williams, Martin Fradley, Sarah Godfrey.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2013
300			_a1 online resource (224 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgements -- _tNotes on the Contributors -- _t1 Introduction: Shane's World -- _t2 Structure and Agency: Shane Meadows and the New Regional Production Sectors -- _t3 Twenty-first-Century Social Realism: Shane Meadows and New British Realism -- _t4 'Al fresco? That's up yer anus, innit?' Shane Meadows and the Politics of Abjection -- _t5 No More Heroes: The Politics of Marginality and Disenchantment in TwentyFourSeven and This is England -- _t6 'Now I'm the monster': Remembering, Repeating and Working Through in Dead Man's Shoes and TwentyFourSeven -- _t7 'An object of indecipherable bastardry - a true monster': Homosociality, Homoeroticism and Generic Hybridity in Dead Man's Shoes -- _t8 A Message to You, Maggie: 1980s Skinhead Subculture and Music in This is England -- _t9 Changing Spaces of 'Englishness': Psychogeography and Spatial Practices in This is England and Somers Town -- _t10 'Shane, don't film this bit': Comedy and Performance in Le Donk and Scor-zay-zee -- _t11 'Them over there': Motherhood and Marginality in Shane Meadows' Films -- _t12 'What do you think makes a bad dad?' Shane Meadows and Fatherhood -- _t13 Is This England '86 and '88? Memory, Haunting and Return through Television Seriality -- _t14 After Laughter Comes Tears: Passion and Redemption in This is England '88 -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aExplores the full range of Meadows' work, from local D.I.Y. media to international festival acclaimFrom his breakthrough short films in the early 1990s and feature debut TwentyFourSeven (1997) through to the BAFTA-winning This Is England (2007) and hit television spin-off, director Shane Meadows has emerged as one of the most distinctive and influential voices in contemporary British cinema.Shane Meadows: Critical Essays is the first book on this widely admired filmmaker, and explores the full range of his work, from its origins in local no-budget D.I.Y. media through to international festival acclaim and multiple award wins. Through a range of essays, it presents a comprehensive analysis of Shane Meadows' oeuvre to date, situating his work in the context of British cinema history as well as wider cultural changes from the nineties to now.An essential read for students and scholars working in the field of British cinema, this in-depth examination of Shane Meadow's work is also invaluable to those studying British directors, British television and auteurism.Key FeaturesThe first book-length study of the work of Shane Meadows, a film-maker who has a devoted and passionate fan-base as well as a high standing among scholars of recent British film.Covers the full range of his work from its origins in the 1990s to its latest developments. The format of edited collection enables the book to contain a variety of perspectives and approaches to the film-maker's work. A substantial introduction will be provided by the co-editors of the book, offering an overview of Meadows and his place within British cinema culture. Equal attention paid to the formal qualities and themes of Meadows' individual films and the social/historical context of his films.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022)
650		4	_aFilm, Media & Cultural Studies.
650		7	_aPERFORMING ARTS / Film & Video / General. _2bisacsh
700	1		_aElliott, Paul _eautore
700	1		_aFitzGerald, Louise _eautore
700	1		_aForrest, David _eautore
700	1		_aFradley, Martin _eautore
700	1		_aGodfrey, Sarah _eautore
700	1		_aKingston, Seán _eautore
700	1		_aMills, Brett _eautore
700	1		_aMurphy, Robert _eautore
700	1		_aNewsinger, Jack _eautore
700	1		_aPetrovic, Sarah N. _eautore
700	1		_aRolinson, David _eautore
700	1		_aSchwarz, Clair _eautore
700	1		_aSnelson, Tim _eautore
700	1		_aSteans, Jill _eautore
700	1		_aSutton, Emma _eautore
700	1		_aWilliams, Melanie _eautore
700	1		_aWoods, Faye _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780748676408?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780748676408
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748676408/original
942			_cEB
999			_c196792 _d196792