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| 001 | 196880 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232942.0 | ||
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| 008 | 220524t20222014stk fo d z eng d | ||
| 019 | _a(OCoLC)1302165830 | ||
| 020 |
_a9780748682010 _qprint |
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| 020 |
_a9780748682027 _qPDF |
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_a10.1515/9780748682027 _2doi |
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| 035 | _a(DE-B1597)9780748682027 | ||
| 035 | _a(DE-B1597)616749 | ||
| 035 | _a(OCoLC)1301547256 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aPER004000 _2bisacsh |
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| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aWilson, Flannery _eautore |
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| 245 | 1 | 0 |
_aNew Taiwanese Cinema in Focus : _bMoving Within and Beyond the Frame / _cFlannery Wilson. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2014 | |
| 300 |
_a1 online resource (200 p.) : _b11 B/W illustrations film stills |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aTraditions in World Cinema : TWC | |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aGBS_insertPreviewButtonPopup(['ISBN:9780748682010','ISBN:9780748682027','ISBN:9780748682041']);Places Taiwanese cinema from the 1980s onwards in both national and transnational contextsRead and download the introduction for free here (pdf)In the Taiwanese film industry, the dichotomy between 'art-house' and commercially viable films is heavily emphasized. However, since the democratization of the political landscape in Taiwan, Taiwanese cinema has become internationally fluid. As the case studies in this book demonstrate, filmmakers such as Hou Hsiao-hsien, Edward Yang, Tsai Ming-liang, and Ang Lee each engage with international audience expectations. New Taiwanese Cinema in Focus therefore presents the Taiwanese New Wave and Second Wave movements with an emphasis on intertextuality, citation and trans-cultural dialogue.Wilson argues that the cinema of Taiwan since the 1980s should be read emblematically; that is, as a representation of the greater paradox that exists in national and transnational cinema studies. She argues that these unlikely relationships create the need for a new way of thinking about 'transnationalism' altogether, making this an essential read for advanced students and scholars in both Film Studies and Asian Studies." | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) | |
| 650 | 0 |
_aMotion pictures _zTaiwan _xHistory _y20th century. |
|
| 650 | 0 |
_aMotion pictures _zTaiwan _xHistory _y21st century. |
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| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / General. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780748682027 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780748682027 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748682027/original |
| 942 | _cEB | ||
| 999 |
_c196880 _d196880 |
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