000 04489nam a22008175i 4500
001 197003
003 IT-RoAPU
005 20221214232947.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220524t20222015stk fo d z eng d
010 _a2015373245
019 _a(OCoLC)1302163090
020 _a9780748693184
_qprint
020 _a9780748693191
_qPDF
024 7 _a10.1515/9780748693191
_2doi
035 _a(DE-B1597)9780748693191
035 _a(DE-B1597)616810
035 _a(OCoLC)1301548560
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1993.5
_b.N67 2015.
050 4 _aPN1993.5
_b.N67 2015
072 7 _aPER004020
_2bisacsh
082 0 4 _a791.4/36/0948
_223
084 _aonline - DeGruyter
100 1 _aGustafsson, Tommy
_eautore
245 1 0 _aNordic Genre Film :
_bSmall Nation Film Cultures in the Global Marketplace /
_cTommy Gustafsson, Pietari Kääpä.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2015
300 _a1 online resource (288 p.) :
_b20 B/W illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aTraditions in World Cinema : TWC
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aA comparative approach to contemporary popular Nordic genre filmNordic Genre Film offers a transnational approach to studying contemporary genre production in Nordic cinema. It discusses a range of internationally renowned examples, from Nordic noir such as the television show The Bridge and films like Insomnia (1997) to high concept 'video generation' productions such as Iron Sky (2012). Yet, genre, at least in this context, indicates both a complex strategy for domestic and international competition as well as an analytical means to identify the Nordic film cultures' relationships to international trends. Conceptualizing Nordic genre film as an industrial and cultural phenomenon, other contributions focus on road movies, the horror film, autobiographical films, the quirky comedy, musicals, historical epics and pornography. These are contextualized by discussion of their place in their respective national film and media histories as well as their influence on other Nordic countries and beyond.By highlighting similarities and differences between the countries, as well as the often diverse production modes of each country, as well as the connections that have historically existed, the book works at the intersections of film and cultural studies and combines industrial perspectives and in depth discussion of specific films, while also offering historical perspectives on each genre as it comes to production, distribution and reception of popular contemporary genre film.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022)
650 0 _aFilm genres
_xHistory and criticism.
650 0 _aFilm genres
_zScandinavia.
650 0 _aFilm genres--Scandinavia.
650 0 _aFilm noir
_xHistory and criticism.
650 0 _aMotion pictures
_zScandinavia
_xHistory.
650 4 _aFilm, Media & Cultural Studies.
650 7 _aPERFORMING ARTS / Film & Video / Guides & Reviews.
_2bisacsh
700 1 _aGustafsson, Tommy
_eautore
700 1 _aHakola, Outi
_eautore
700 1 _aHedling, Erik
_eautore
700 1 _aIversen, Gunnar
_eautore
700 1 _aKääpä, Pietari
_eautore
700 1 _aLaine, Kimmo
_eautore
700 1 _aLarsson, Mariah
_eautore
700 1 _aLehtisalo, Anneli
_eautore
700 1 _aLunde, Arne
_eautore
700 1 _aNorðfjörð, Björn Ægir
_eautore
700 1 _aRees, Ellen
_eautore
700 1 _aRömpötti, Tommi
_eautore
700 1 _aSchubart, Rikke
_eautore
700 1 _aSeppälä, Jaakko
_eautore
700 1 _aTapper, Michael
_eautore
700 1 _aWallengren, Ann-Kristin
_eautore
700 1 _aÅberg, Anders Wilhelm
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780748693191?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780748693191
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780748693191/original
942 _cEB
999 _c197003
_d197003