000 04339nam a22007695i 4500
001 197026
003 IT-RoAPU
005 20221214232948.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220524t20222015stk fo d z eng d
010 _a2014504549
019 _a(OCoLC)1302162427
020 _a9780748694136
_qprint
020 _a9780748694143
_qPDF
024 7 _a10.1515/9780748694143
_2doi
035 _a(DE-B1597)9780748694143
035 _a(DE-B1597)615638
035 _a(OCoLC)1301546909
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1995.9.D6
_bP69 2015
050 4 _aPN1995.9.D6
_bP69 2015
072 7 _aPER004010
_2bisacsh
082 0 4 _a070.1/8
_223
084 _aonline - DeGruyter
100 1 _aDeprez, Camille
_eautore
245 1 0 _aPost-1990 Documentary :
_bReconfiguring Independence /
_cCamille Deprez, Judith Pernin.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2015
300 _a1 online resource (280 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aPresents in-depth case studies focusing on major aspects of post-1990 documentary practices and stylesIn a post-1990 context of unrivalled creativity in documentary filmmaking, what does 'independence' really mean? With a broad selection of contributors, this is the first collection of in-depth case studies to cut across different media, formats, subject matters, purposes and national divides. Writing from a wide range of academic perspectives, contributors shed new light on historical, theoretical and empirical issues concerning independent documentary, to better comprehend the radical transformations of the form over the past twenty-five years. While the digital turn has been widely acknowledged as decisive in reshaping film practices, especially independent ones, this anthology aims at assessing its consequences without overestimating the impact of technology on other political, economic, social and cultural changes. Continuities as well as breaks are therefore put in perspective, with a particular focus on the interactions between these new practices and the established film and television industries. Divided into three main sections on 'History and Spaces of Resistance', 'The Personal Experience' and 'Displacement, Participation and Spectatorship', Post-1990 Documentary: Reconfiguring Independence provides an innovative interpretation of under-studied subject matters and styles, and rare analysis of differing production, distribution and exhibition strategies. It not only helps to rethink the notion of independence, but also contributes to a fundamental change in our perception of documentary filmmaking.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022)
650 0 _aDocumentary films
_xHistory and criticism.
650 4 _aFilm, Media & Cultural Studies.
650 7 _aPERFORMING ARTS / Film & Video / Direction & Production.
_2bisacsh
700 1 _aBroderick, Mick
_eautore
700 1 _aByg, Barton
_eautore
700 1 _aChung, Hilary
_eautore
700 1 _aDeprez, Camille
_eautore
700 1 _aFeigelson, Kristian
_eautore
700 1 _aGalmard, Eric
_eautore
700 1 _aGoursat, Juliette
_eautore
700 1 _aHughes, John
_eautore
700 1 _aIngham, Mike
_eautore
700 1 _aJacobs, Robert
_eautore
700 1 _aLuciano, Bernadette
_eautore
700 1 _aMaasdorp, Liani
_eautore
700 1 _aMorag, Raya
_eautore
700 1 _aPernin, Judith
_eautore
700 1 _aPetty, Sheila
_eautore
700 1 _aTakahashi, Tess
_eautore
700 1 _aVallejo, Aida
_eautore
700 1 _aWilliams, Deane
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780748694143
856 4 0 _uhttps://www.degruyter.com/isbn/9780748694143
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780748694143/original
942 _cEB
999 _c197026
_d197026