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| 001 | 197028 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232948.0 | ||
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_a10.1515/9780748694181 _2doi |
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| 035 | _a(DE-B1597)9780748694181 | ||
| 035 | _a(DE-B1597)616234 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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_aPN1993.5.A67 _bF55 2015 |
| 050 | 4 | _aPN1993.5.A67 | |
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_aPER004000 _2bisacsh |
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_a791.43750998 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aMacKenzie, Scott _eautore |
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| 245 | 1 | 0 |
_aFilms on Ice : _bCinemas of the Arctic / _cScott MacKenzie, Anna Westerstahl Stenport. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2014 | |
| 300 |
_a1 online resource (384 p.) : _b52 B/W illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aTraditions in World Cinema : TWC | |
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tList of Illustrations -- _tAcknowledgements -- _tTRADITIONS IN WORLD CINEMA -- _tIntroduction: What are Arctic Cinemas? -- _tPART I GLOBAL INDIGENEITY -- _t1. ‘Who Were We? And What Happened to Us?’: Inuit Memory and Arctic Futures in Igloolik Isuma Film and Video -- _t2. Northern Exposures and Marginal Critiques: The Politics of Sovereignty in Sami Cinema -- _t3. Frozen in Film: Alaska Eskimos in the Movies -- _t4. Cultural Stereotypes and Negotiations in Sami Cinema -- _t5. Cinema of Emancipation and Zacharias Kunuk’s Atanarjuat: The Fast Runner -- _t6. Cosmopolitan Inuit: New Perspectives On Greenlandic Film -- _t7. Arctic Carnivalesque: Ethnicity, Gender And Transnationality In The Films Of Tommy Wirkola -- _tPART II HOLLYWOOD HEGEMONY -- _t8. Fact And Fiction In ‘Northerns’ And Early ‘Arctic’ Films -- _t9. California’s Yukon As Comic Space -- _t10. ‘See The Crashing Masses Of White Death . . .’: Greenland, Germany And The Sublime In The ‘Bergfilm’ SOS Eisberg -- _t11. The Threat Of The Thaw: The Cold War On The Screen -- _t12. Hollywood Does Iceland: Authenticity, Genericity And The Picturesque -- _t13. White On White: Twenty-First-Century Norwegian Horror Films Negotiate Masculinist Arctic Imaginaries -- _tPART III ETHNOGRAPHY AND THE DOCUMENTARY DILEMMA -- _t14. The Creative Treatment Of Alterity: Nanook As The North -- _t15. From Objects To Actors: Knud Rasmussen’S Ethnographic Feature Film The Wedding of Palo -- _t16. Arctic Travelogues: Conquering The Soviet North -- _t17. A Gentle Gaze On The Colony: Jette Bang’S Documentary Filming In Greenland 1938-9 -- _t18. Exercise Musk-Ox: The Challenges of Filming a Military Expedition in Canada’s Arctic -- _t19. The Tour: A Film About Longyearbyen, Svalbard. An Interview with Eva la Cour -- _tPART IV MYTHS AND MODES OF EXPLORATION -- _t20. The Changing Polar Films: Silent Films from Arctic Exploration 1900-30 -- _t21. The Attractions of the North: Early Film Expeditions to the Exotic Snowscape -- _t22. Frozen in Motion: Ethnographic Representation in Donald B. MacMillan’s Arctic Films -- _t23. ‘My Heart Beat for the Wilderness’: Isobel Wylie Hutchison, Jenny Gilbertson, Margaret Tait and Other Twentieth-Century Scottish Women Filmmakers -- _t24. ‘Here will be a Garden-City’: Soviet Man on an Arctic Construction Site -- _t25. Transcending the Sublime: Arctic Creolisation in the Works of Isaac Julien and John Akomfrah -- _t26. DJ Spooky and Dziga Vertov: Experimental Cinema Meets Digital Art in Exploring the Polar Regions -- _tNotes on the Contributors -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aA comprehensive study of films made in a region of the world central to its future: The ArcticThe first book to address the vast diversity of Northern circumpolar cinemas from a transnational perspective, Films on Ice: Cinemas of the Arctic presents the region as one of great and previously overlooked cinematic diversity. With chapters on polar explorer films, silent cinema, documentaries, ethnographic and indigenous film, gender and ecology, as well as Hollywood and the USSR’s uses and abuses of the Arctic, this book provides a groundbreaking account of Arctic cinemas from 1898 to the present. Challenging dominant notions of the region in popular and political culture, it demonstrates how moving images (cinema, television, video, and digital media) have been central to the very definition of the Arctic since the end of the nineteenth century. Bringing together an international array of European, Russian, Nordic, and North American scholars, Films on Ice radically alters stereotypical views of the Arctic region, and therefore of film history itself.‘Gathering leading scholars across the three continents meeting in the Arctic, MacKenzie and Stenport open up the utopian, dystopian and heterotopian dimensions of Arctic film, a shimmering, crystalline view not only on the contest over the meanings of polar space, but onto the possibilities for reconceptualising world cinema.’ - Sean Cubitt, Professor of Film and Television, Goldsmiths, University of London | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 |
_aMotion picture locations _zArctic regions. |
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| 650 | 0 |
_aMotion pictures _zArctic regions. |
|
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / General. _2bisacsh |
|
| 700 | 1 |
_aBohr, Marco _eautore |
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| 700 | 1 |
_aBredin, Marian _eautore |
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| 700 | 1 |
_aBugaeva, Lyubov _eautore |
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| 700 | 1 |
_aDahlquist, Marina _eautore |
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| 700 | 1 |
_aDiesen, Jan Anders _eautore |
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| 700 | 1 |
_aFienup-Riordan, Ann _eautore |
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| 700 | 1 |
_aGenauer, Rebecca _eautore |
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| 700 | 1 |
_aHenlin-Stromme, Sabine _eautore |
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| 700 | 1 |
_aHolloway, Caroline Forcier _eautore |
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| 700 | 1 |
_aIhle, Johanne Haaber _eautore |
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| 700 | 1 |
_aIversen, Gunnar _eautore |
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| 700 | 1 |
_aJorgensen, Anne Mette _eautore |
|
| 700 | 1 |
_aKorber, Lill-Ann _eautore |
|
| 700 | 1 |
_aKääpä, Pietari _eautore |
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| 700 | 1 |
_aLuthersdottir, Helga Hlaogerour _eautore |
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| 700 | 1 |
_aMacKenzie, Scott _eautore |
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| 700 | 1 |
_aMecsei, Monica Kim _eautore |
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| 700 | 1 |
_aNeely, Sarah _eautore |
|
| 700 | 1 |
_aNorofjoro, Bjorn _eautore |
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| 700 | 1 |
_aPotter, Russell A. _eautore |
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| 700 | 1 |
_aSandberg, Mark _eautore |
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| 700 | 1 |
_aSarkisova, Oksana _eautore |
|
| 700 | 1 |
_aShembel, Daria _eautore |
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| 700 | 1 |
_aStenport, Anna Westerstahl _eautore |
|
| 700 | 1 |
_aThisted, Kirsten _eautore |
|
| 700 | 1 |
_aVolquardsen, Ebbe _eautore |
|
| 700 | 1 |
_aWesterstahl Stenport, Anna _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780748694181?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780748694181 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780748694181/original |
| 942 | _cEB | ||
| 999 |
_c197028 _d197028 |
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